M.R. James’s ghost stories were written, in the first place, to be heard, preferably in a cosy, dimly-lit room, with a reassuring glass of whisky or brandy close at hand. The ideal situation, of listening to Mr Provost himself, is, of course, impossible today, but we are remarkably fortunate, thanks to Robert Lloyd Parry, in having the chance to experience some of the stories in circumstances not wholly dissimilar to those of Dr James’s first audiences. The next best thing, I suppose, is a recording, to be enjoyed in the comfort of our own homes, and it’s a little startling to realise how recently recorded readings became available. To be sure, there was the occasional radio broadcast (and wouldn’t we just love to hear Valentine Dyall telling the tale of A Neighbour’s Landmark?) but they were rare enough. Then, about thirty years ago, almost as if to atone for his part in Jonathan Miller’s perverse film Whistle and I’ll Come to You, Michael Hordern began his superb series of readings for Argo, nineteen stories in all – or, rather, eighteen plus Stories I Have Tried to Write. More recently, David Collings made a similarly excellent recording for Craftsman Audio Books: The Complete Ghost Stories of MR James, which includes all the tales from the four volumes, plus The Experiment, The Malice of Inanimate Objects, A Vignette and The Fenstanton Witch, but, oddly, excludes Stories I Have Tried to Write. Sir Michael’s and Mr Collings’ are, together, the touchstone, the standard by which one can judge other such readings. I had been wondering if, in time, the admirable team at Naxos AudioBooks would tackle Dr James’s disturbing tales… and now, with great pleasure, I welcome this recording of his first collection, Ghost Stories of an Antiquary. Both David Timson and Stephen Critchlow are superb vocal actors, with very pleasing voices, the voices of men you could sit and chat with over a pint of beer or a glass of port. Not the sort of voice that you’d immediately associate with the reading of ghost stories: they don’t have the silken menace of Vincent Price or the doom-laden resonance of Christopher Lee. But when you think about it, most of the best ghost stories call for a less – what shall we say? – a less theatrical approach from the narrator. David Timson in particular is an actor I’ve long admired. His recording of the Sherlock Holmes saga is a feat to rank with Radio 4’s complete dramatisation, and he accomplished it with dedication, erudition, panache and wit – the same qualities that both men bring to MRJ’s ghost stories. Mr Timson’s brief essay which accompanies these recordings is informative, intelligent and perceptive. I hadn’t considered the possibility that the ’crime’ of Canon Alberic ’is the destruction of a priceless old book, to provide material for his scrapbook – a sin MR James, as an antiquarian, could not forgive’, but it’s a rather appealing notion. As always with Naxos, the narratives are subtly enhanced by well-chosen music, all unfamiliar to me, by Chausson, Vieuxtemps and Eugène Ysaye. Overall, this recording is superb. There are just two small points that I ought to mention. Stephen Critchlow’s two readings, The Mezzotint and Oh, Whistle, and I’ll Come to You, My Lad, are taken from a 2 CD set released in 2007, Classic Ghost Stories (highly recommended, by the way), in which Mr Critchlow also reads Rats and two tales by Charles Dickens. That’s not a matter for complaint, but I can’t help thinking it would have been nice to have the same voice reading all eight of the Ghost Stories of an Antiquary. The only fault here is a small one, but odd. In Canon Alberic’s Scrapbook, David Timson consistently pronounces the name ’Comminges’ as ’Commeen’ – as if it had been printed in his script without the letter G, making it ’Commines’. A curious little error, but so very little that it can’t spoil the immense pleasure I get from listening to Ghost Stories of an Antiquary.