With his third novel in four years, Coe is on a roll; he tracks the fortunes of a family through snapshots of communal experiences, from the Queen’s coronation through the 1966 World Cup to pandemic lockdown, in a moving, compassionate portrait of individual and national change

The way Coe starkly captures the paranoia and fear of the early days of the pandemic is impressive and he has written what he calls a “faithful account” of the death of his mother during lockdown. It makes an intensely affecting finale to a fine novel.

Few contemporary writers can make a success of the state of the nation novel: Jonathan Coe is one of them

Epic in scope, but personal in resonance

Coe’s interwoven paeans to the lives of those rooted in the very centre of the UK – The Rotter’s Club and Middle England among them – blend comedy, tragedy and social commentary in enjoyably memorable fashion, and his latest, Bournville, is no exception . . . Coe’s particular gift is to understand how nostalgia, regret and an apprehension of what the future will bring might make us more, not less, empathetic to the frailties of those around us

Very tempting

In this affecting generational saga, framed by the pandemic and structured by seven milestone broadcasts, Jonathan Coe – known for his state-of-the-nation novels – once again takes the temperature of Britain

At heart Bournville is a novel designed to make you think by making you laugh, and the seriousness of the subject matter is tempered throughout by the author’s piercing eye for the more ludicrous elements of human nature

A compelling social history that’s sprinkled throughout with Coe’s inimitable humour, love and white-hot anger

A hugely impressive state-of-the-nation tale

British novelists love to diagnose the state of the nation. Few do it better than Jonathan Coe, who writes with warmth and subversive glee about social change and the comforting mundanities it imperils

This charming read is as warming, rich and comforting as a mug of hot chocolate

This is another eminently readable Coe, full of believable characters and fizzing dialogue. And it couldn’t be more timely

Coe has the great gift of combining engaging human stories with a deeper structural pattern that gives the book its heft

Set in Coe’s native
Midlands and told through the
lives of four generations of one
family, beginning with 11-year-old
Mary in 1945, Bournville is a
poignant, clever and witty portrait
of social change and how the
British see themselves.

Bournville is Jonathan Coe’s most ambitious novel yet . . . a novel about people and place. Entertaining and often poignant, it presents a captivating portrait of how Britons lived then and the way they live now

A book of things blended together: comedy with tragedy, England’s past with its present, and cocoa solids with vegetable fat . . . the best fictional portrayal of lockdown that I’ve read

Told with compassion, steadiness, decency and always a glint in the eye, this is a novel that both challenges and delights. For anyone who has felt lost in the past six years, it is like meeting an ally

Full of vibrant characters and fabulous dialogue, which switches from laugh-out-loud funny to extremely poignant

The changing face of postwar Britain is brilliantly captured

As the latest in J Coe’s Unrest sequence, Bournville is one of the most warm-hearted, brilliant and beguiling of his State of the Nation novels. To show three generations of an ordinary Midlands family, their paths taken and not taken, their friends, lovers, jobs, achievements and losses; to interweave this with 75 years of national history – and to do so with such a lightness of touch is a tremendous achievement. All the absurdities of our nation wrapped up in something as bitter, sweet, and addictive as a bar of the best Bournville chocolate

Affectionate, full of good humour, and often moving, this is Coe at his best.

Slips down a treat

Coe is an eminently readable novelist

For all the novel’s satirical tang and historical sweep, it’s at root a tender portrait of apparently simple folk trying to fathom the mystery of their own personalities

A tender portrayal of the state of the nation through the prism of family relationships

There is much to enjoy here, as in all Coe’s novels . . . an intelligent criticism of our shared history since 1945

[Coe] has a huge talent for balancing humour with poignancy