Country

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What to expect

A vivid and brutal reimagining of Homer’s Iliad, set in the Troubles of the late twentieth-century.

That was the start of it. A terrible business altogether. Oh, it was all kept off the news, for the sake of the talks and the ceasefire. But them that were around that part of the country remember every bit.
Wait now till you hear the rest.

Northern Ireland, 1996.

After twenty-five years of conflict, the IRA and the British have agreed an uneasy ceasefire, as a first step towards lasting peace. But if decades of savage violence are leading only to smiles and handshakes, those on the ground in the border country will start to question what exactly they have been fighting for.

When an IRA man’s wife turns informer, he and his brother gather their old comrades for an assault on the local army base. But the squad’s feared sniper suddenly refuses to fight, and the SAS are sent in to crush this rogue terror cell before it can wreck the fragile truce, and drag the whole region back to the darkest days of the Troubles.

Inspired by the oldest war story of them all, this powerful new Irish novel explores the brutal glory of armed conflict, and the bitter tragedy of those on both sides who offer their lives to defend the honour of their country.

(P)2018 Hodder & Stoughton Limited

Critics Review

  • A lively, convincing demotic that captures an Irish idiomatic flow and an echo of Homer’s formalities and hexametric lines. It begs to be read aloud

    The Times
  • The language is enough to keep you enthralled . . . a violent pounding demotic as memorable in its way as Homer’s hexameter

    Guardian
  • A bold, imaginative second novel

    The Spectator
  • Energetic . . . an ingenious refitting that illuminates both conflicts

    Guardian, Books of the Year 2018
  • Country explodes with verbal invention, rapid juxtaposition, brutality and fun . . . Hughes’s linguistic dexterity, his ear for dialogue, his understanding of character, the energy of his prose

    TLS
  • Reading this book is like sitting in the pub listening to a good friend tell you stories. It does what only the best retellings can and makes you see the myth anew

    Daisy Johnson

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