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Death Metal
Genre: A 33 1/3 Series (Book 2)
- Author
- T Coles
- Narrator
- Rob Crossan
- Publisher
- Bloomsbury Publishing
- Publish Date
- 29 April 2025
- Run Time
- 3 hours 54 minutes
- Format
- Audiobook
What to expect
Featuring exclusive interviews with key figures, from Napalm Death vocalist Barney Greenway to guitarist Bill Steer of Gentlemans Pistols, Carcass, and Napalm Death, this is your guide through the history of death metal.
Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy.
This book explores the history and methodology of the genre, charting its aims and intentions, its crossovers to the mainstream, successes and failures, and tracks how it developed from the bedrooms of Birmingham and Florida to the near-mainstream, to the murky cult status it enjoys today.
Critics Review
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It’s good that books like this exist.
Randomly Yours, Alex
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Details
- Author
- T Coles
- Narrator
- Rob Crossan
- Duration
- 3 hours 54 minutes
- Release Date
- 29 April 2025
- ISBN
- 9798765149065
- Format
- Audiobook
- Publisher
- Bloomsbury Publishing
- Genre
- Music reviews and criticism, Music: styles and genres, History of music
Synopsis
Bloomsbury presents Death Metal by T Coles, read by Rob Crossan.Featuring exclusive interviews with key figures, from Napalm Death vocalist Barney Greenway to guitarist Bill Steer of Gentlemans Pistols, Carcass, and Napalm Death, this is your guide through the history of death metal.Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy. This book explores the history and methodology of the genre, charting its aims and intentions, its crossovers to the mainstream, successes and failures, and tracks how it developed from the bedrooms of Birmingham and Florida to the near-mainstream, to the murky cult status it enjoys today.
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