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Flèche
- Author
- Mary Jean Chan
- Narrator
- Mary Jean Chan
- Publisher
- Faber & Faber
- Publish Date
- 2 July 2019
- Run Time
- 1 hour 15 minutes
- Format
- Audiobook
What to expect
POETRY BOOK SOCIETY RECOMMENDATION
Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised ('
flèche'), and evokes the difficulties of reconciling one's need for safety with the desire to shed one's protective armour in order to fully embrace the world.
Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.
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Details
- Author
- Mary Jean Chan
- Narrator
- Mary Jean Chan
- Duration
- 1 hour 15 minutes
- Release Date
- 2 July 2019
- ISBN
- 9780571357826
- Format
- Audiobook
- Publisher
- Faber & Faber
- Genre
- Modern and contemporary poetry (c 1900 onwards), Poetry by individual poets
Synopsis
POETRY BOOK SOCIETY RECOMMENDATION Flèche (the French word for 'arrow') is an offensive technique commonly used in fencing, a sport of Mary Jean Chan's young adult years, when she competed locally and internationally for her home city, Hong Kong. This cross-linguistic pun presents the queer, non-white body as both vulnerable ('flesh') and weaponised (' flèche'), and evokes the difficulties of reconciling one's need for safety with the desire to shed one's protective armour in order to fully embrace the world. Central to the collection is the figure of the poet's mother, whose fragmented memories of political turmoil in twentieth-century China are sensitively threaded through the book in an eight-part poetic sequence, combined with recollections from Chan's childhood. As complex themes of multilingualism, queerness, psychoanalysis and cultural history emerge, so too does a richly imagined personal, maternal and national biography. The result is a series of poems that feel urgent and true, dazzling and devastating by turns.
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