A beautiful, significant debut. Although he writes about queer lives and loves in Nigeria, Arinze Ifeakandu’s voice is sensually alert to the human and universal in every situation. These quietly transgressive stories are the work of a brilliant new talent.

Contemporary love stories with moments of real surprise and revelation.

Magic in motion. My love for this work isn’t just about the lush tenderness of the writing-which is abundant here-but also about the book’s internal circuitry. This book knows what it’s doing, where its electricities need to pass through for maximum impact, knows who it is for and who it certainly doesn’t answer to, and is its own self-contained habitat. God’s Children Are Little Broken Things remains subtle and measured even through massive emotional transitions, carrying the reader the whole way through. Arinze writes like a composer or an orchestral director, bringing notes together to form a staggering, heartshattering show.

Arinze Ifeakandu captures the tenderness and tumult of queer love, familial love, self-love, and the many ways love elates and eludes us. Written with compelling intricacy and deep intimacy, these heart-grabbing stories are masterful. What a glorious collection!

In these gorgeous stories, Ifeakandu takes on big, untidy emotions – love, loneliness, yearning, grief – and writes about them with extraordinary deftness and grace. This is a hugely impressive collection, full of subtlety, wisdom and heart.

These stories are written with raw, tender grace. They dramatize what love is like in a time when love is under siege. They are brilliant when they explore intimate moments and are superb as they render with complexity and nuance the relations between characters. It is clear from this book that a serious literary talent has emerged.

These stories are wonderful – searching, unsparing, and contemplative. Each carries the freight of love, suffering, memory, and politics. Each is so finely and sensually drawn the reader lives them. Together, they are quite simply a tour de force.

This collection is the very meaning of exquisite; even the heartbreaking moments come with the great beauty of being alive. Delicate, raw in its honesty and viscerally alive, God’s Children Are Little Broken Things, is the kind of collection that steals your breath and fills your heart.

Each story is an exquisite plunge into tenderness. Brutal at times, unforgiving at others but always a moment from which to stand back and reflect. The writing is intimate: with immense skill Arinze Ifeakandu takes you by the hand – and in allowing him to do so you feel your own heart beat that little bit faster.

These are brilliant stories: heartbroken but pulsing with life, wise but never cynical, and soaked in an atmosphere so convincing it’s like being inside a great album. The prose alone is worth the price of the ticket, as lush as it is exact, but through it comes whole worlds of longing and travail, youth and aging, queer love expressed in so many of its facets. Arinze Ifeakandu is a major talent, and God’s Children Are Little Broken Things is a seriously good book.

These are heartbreaking stories of love and loss, as granular and nourishing as the harmattan, the cold winter wind that blows out of the Sahara. Ifeakandu is a writer of lyricism and profundity at the beginning of a brilliant career.

An exquisite, complex examination of the vulnerabilities of queer love and desire amid family fears, dreams, and the power of expectations, God’s Children Are Little Broken Things is a shimmering, beguiling debut.

Reading these stories kept me from my life and responsibilities, the book making demands of me the way only spectacular art can. Arinze Ifeakandu is a genuinely brilliant mind and voice.

Ifeakandu proves himself the kind of writer who can catch you off balance with sudden, lucid slants of feeling … these angry and compassionate stories are full of such moments, when an oppressive system is brought into dreadful focus through the lends of private suffering

Passionate, profound and pulsing with life, this is a remarkable debut