Gold Fame Citrus

Set in an increasingly plausible-seeming future in which drought has transformed Southern California into a howling wasteland, this debut novel by the author of the prize-winning story collection Battleborn finds two refugees of the water wars holed up in a starlet's abandoned mansion in L.A.'s Laurel Canyon. Seeking lusher landscape, the pair head east, risking attack by patrolling authorities, roving desperadoes, and the unrelenting sun

The Millions - most anticipated books of 2015

Exhilarating, upsetting, delirious, bold, Gold Fame Citrus is a head rush of a novel and establishes Claire Vaye Watkins as an important new voice in American literature

Louise Erdrich, author of The Round House

A sun-hammered fever dream, not unlike the shimmering, sweltering southwest it depicts. Your heart will be wrung out by the journey of Luz, Raymond, and Ig. Your imagination will feast on the assured depiction of a near-future that is burnt to a crisp. And you'll hope it's all a mirage as Watkins renders a hot and very plausible future the frightening force of a burning inevitability

Smith Henderson, author of Fourth of July Creek

The book is packed with persuasive detail, luminous writing, and a grasp of the history (popular, political, natural and imagined) needed to tell a story that is original yet familiar, strange yet all too believable

Publisher's Weekly

American odyssey: Set in a drought-ravaged Southern California trolled by scavengers, Gold Fame Citrus burns with a dizzying, scorching genius

Vanity Fair

Watkins brings a gorgeous sense of language and a native desert-dweller's understanding of California to her audacious and dystopian first novel . . . The drought, the desperation and the fantasy built by the guru all feel disturbingly real

BBC

She's sharp, at times merciless, and never above a little fun . . . The book is instantly entrancing, alluring as a mirage, and filled with peril, mystery, sandstorms, the occult, and a cast of nuanced characters

Los Angeles Magazine

Extraordinary power and beauty . . . A great pleasure of the book is Watkins's fearlessness

New York Times

Like the best stories in her 2013 Dylan Thomas Prize-winning collection Battleborn, the narrative focuses on left-behind people and left-behind places - those who exist at the periphery of destructive events . . . Which may make it surprising to say that this book is also funny. It's funny in the way that a Joy Williams or Mary Gaitskill or Flannery O'Connor story is funny. It's laughter in the dark, the comedy of unending struggle . . . The sentences in Gold Fame Citrus are alive in ways the sun-blasted landscape isn't, and therein lies the hope

Financial Times

Watkins's apocalyptic new novel seems a revisionist refit of McCarthy's The Road . . . that (unlike The Road) puts female characters centre-stage in a geographically vivid setting. The style hits you first . . . Formidably wrought

Daily Telegraph

Watkins writes with grace, wit and imagination in her first novel . . . Watkins's writing engrosses because she is mainly concerned with how people behave in extreme circumstances; no matter how strange the background, her characters stay believable

The Times

The empty swimming pools and intense light conjure JG Ballard's environmental dystopias as well as Margaret Atwood's . . . Both nail-biting and digressive, at times lushly overwritten, at times wryly incisive, but always powerful . . . Vaye Watkins' portrait of Levi, the leader of the sand dune colony, is a tour de force: chilling, beguiling, paranoid, convincing and pathetic by turns. . . Her novel certainly cuts deep in its vision of overwhelming natural power . . . most of all in her extraordinary creation of the dune sea . . . too vast for human comprehension, yet at the same time a tabula rasa for each fragile individual's desires, it's a classic example of the Romantic sublime, as mesmerising as it is deadly

Guardian

A wild book conveying the allure of people improvising, as well as the strange charm of the landscape . . . Vaye Watkins is well versed in the region's seductive myths . . . It is hard not to read the demise of idealogy as well as collapsing ecology as the driving force [ . . .] a contemporary distrust of power, whoever wields it [. . .] even her pleasure in language reflects back a suspicion of rhetoric that seeks to persuade . . . The complexities of emotion and power is probed so intelligently

Times Literary Supplement

California has always been the place where they went to start it big. Lured by 'gold, fame, citrus' as a character puts it, a phrase on which her book is a fascinating, dystopian fugue . . . Like McCarthy, her desert landscapes are dense as well as barren, not just in the physical detail with which they're rendered, but the significance with which characters imbue them . . . A powerful portrait of an apocalypse less the result of external catastrophe, than familiar human failings

Independent

A Mad Max world painted with a finer brush . . . beautiful and profoundly unsettling

Elle