Life on the Mississippi

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What to expect

The Mississippi River, known as “America’s river,” and Mark Twain are practically synonymous in American culture. The popularity of Twain’s steamboat and steamboat pilot on the ever-changing Mississippi has endured for over a century.

A brilliant amalgam of remembrance and reportage, by turns satiric, celebratory, nostalgic, and melancholy, Life on the Mississippi evokes the great river that Mark Twain knew as a boy and young man and the one he revisited as a mature and successful author. Written between the publication of his two greatest novels, Tom Sawyer and Huckleberry Finn, Twain’s rich portrait of the Mississippi marks a distinctive transition in the life of the river and the nation, from the boom years preceding the Civil War to the sober times that followed it.

Samuel Clemens became a licensed river pilot at the age of twenty-four under the apprenticeship of Horace Bixby, pilot of the Paul Jones. His name, Mark Twain, was derived from the river pilot term describing safe navigating conditions, or “mark two fathoms.” This term was shortened to “mark twain” by the leadsmen whose job it was to monitor the water’s depth and report it to the pilot.

Although Mark Twain used his childhood experiences growing up along the Mississippi in numerous works, nowhere is the river and the pilot’s life more thoroughly described than in Life on the Mississippi.

Critics Review

“Mark Twain was the first truly American writer, and all of us since are his heirs.”

William Faulkner

u201cI believe that Mark Twain had a clearer vision of lifeu2026than any other Americanu2026I believe that he was the true father of our national literature, the first genuinely American artist of the royal blood.u201d

H. L. Mencken

u201cThere are at least half a dozen audiobook versions of Mark Twainu2019s greatest work of nonfiction, his account of his time on the Mississippi River as a riverboat apprentice and pilot, and, later, as a witness to change. Veteran narrator Grover Gardner, with his fine exuberant voice, comic pacing and sense of mordant irony, gives us the very best rendition. The book begins with its constant themeu2014the Mississippiu2019s lawless ways, its mobility and perversityu2014and goes on to its u201cdiscoveryu201d by Europeans, paying caustic attention to the invadersu2019 appetite for other peopleu2019s land. From then on, the book rambles through Twainu2019s often chastening experiences, the rise and decline of steamship riverboating, and the manners, mores and eccentricities of river towns and people. Above all, this is a book about travel. Setting out as a young man, a high-spirited Sam Clemens feels the exhilaration of every traveler: u2018I became a new being, and the subject of my own admiration. I was a traveler!u2026and I was able to look down and pity the untraveled with a compassion that had hardly a trace of contempt in it.u2019u201d

Washington Post

u201cListeners who enjoyed Grover Gardneru2019s narrations of Huckleberry Finn and Tom Sawyer will savor this journeyu2026Gardneru2019s easy familiarity with Twainu2019s style is evident once more: He captures all of the authoru2019s wit and wordplay as well as his colorful descriptions of the era just before the Civil War. Gardner gives some rollicking performances as he brings to life the booku2019s memorable characters, with their gruff voices and varied accents. The text can be as meandering as the river itself, but Gardneru2019s first-rate narration keeps the listener on course.u201d

AudioFile

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