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Moderate to Poor, Occasionally Good

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What to expect

A Granta Best of Young British Novelists

The stunning new collection of stories from the award-winning author of The Liar’s Dictionary and Attrib. and Other Stories.

Granta Best Young British novelist and author of Attrib and other stories, Eley Williams returns with a subversive and essential collection of short stories exploring the nature of relationships both intimate and transient – from the easy gamesmanship of contagious yawns to the horror of a smile fixed for just a second too long. Whether jostling for attention or ducking to evade it, here characters seek connections not only with each other but also to versions of themselves.

In ‘Cuvier’s Feather’, a courtroom sketch artist delights in committing portraits of their lover to paper but their need to capture likenesses forever is revealed to have darker, more complex intentions. At the centre of ‘Wilgefortis’ a child’s schoolyard crush on a saint marks a confrontation with the reality of a teenage body in flux. An editor of canned laughter loses their confidence and seeks divine intervention; an essayist annotates their thoughts on Keats by way of internet-gleaned sex tips.

Moderate to Poor, Occasionally Good hums with fossicking language and ingenious experiments in form and considers notions of playfulness, authenticity and care as it holds relationships to account: their sweet misunderstandings, soured reflections, queer wish fulfilments and shared, held breaths.

Praise for Eley Williams:

'She is a writer for whom one struggles to find comparison, because she has arrived in a class of her own’ Sarah Perry, author of The Essex Serpent

'Funny, playful and utterly bravura’ Melissa Harrison, Financial Times

'It's exhilarating to dive into the associative rush of Williams's writing’ Vanity Fair

Critics Review

  • Praise for Eley Williams:

    ‘It’s exhilarating to dive into the associative rush of Williams’s writing’ Vanity Fair

    ‘She is a writer for whom one struggles to find comparison, because she has arrived in a class of her own’ Sarah Perry, author of The Essex Serpent

    No fiction writer is more exciting on sentence level than Eley Williams’ The White Review

    There’s no one working in the UK quite like her’ Jay Walsh, author of Girl Online: A User Manual

    Funny, playful and utterly bravura’ Melissa Harrison, Financial Times

    Gorgeous, brilliant’ Max Porter, author of Grief Is The Thing With Feathers

    ‘It is impossible not to identify with Williams’s candid observations of the quirks and quandaries of emotional life. Her experimentation is not a case of obfuscation: we come away feeling that we know precisely what she means’ Times Literary Supplement

    ‘Think William Gass, Lydia Davis or Anne Carson, and you won’t be too wrong’ Michael Hofmann, London Review of Books

    [The] most exciting of young British writers … Williams luxuriates in words and wordplay, in definition and precision and invention’ Big Issue

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