An epic fable drenched in African mythology. This is work that both meets the immersive worldbuilding standard in books by Tolkien and Martin and brings to the genre a voice unlike anything seen before . . . It sets readers up for what will undoubtedly be a superb finale

Booker winner James’s African-inspired imaginary kingdoms mark the series out from the usual run of epic fantasies, but his uniquely supple, powerful style is even more distinctive

Black Leopard, Red Wolf and Moon Witch, Spider King are wildly inventive, genre-defining works of fiction on the level of The Lord Of The Rings and the Broken Earth trilogy that deserve to be studied, dissected, and argued over

An exhilarating tour de force . . . [James] establishes a new vision for the trilogy as a whole and confirms Dark Star as a true epic

Moving, vivid, and thought-provoking . . . brilliant

James cements his status as a wildly inventive and lyrical storyteller

James masterfully flips the first instalment on its head . . . [A] titanic story of empire, adventure and power

Told with James’ inimitable linguistic verve . . . Riotous, ultraviolent, dazzlingly inventive

A fantasy world as well-realized as anything Tolkien made, with language as powerful as Angela Carter’s

James once again shattered my expectations . . . Moon Witch, Spider King is a breathtaking book, one that functions as well as a standalone as it does a sequel . . . This is a novel that begs to be read in one sitting

Even more gripping and inventive than its predecessor . . . like Tolkien on ayahuasca

This novel’s prose style, inspired by the grammar of African languages, has an intoxicating swagger and energy

James is one of the finest writers at work today, and Moon Witch, Spider King is a complex, enthralling novel. It is also utterly uncompromising, a book which the reader must meet on its own terms

A fantastical epic that draws on African mythology

An imaginative story that advances the trilogy in a satisfying way, deepening and expanding an already epic world