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Opera Explained – Die Fledermaus by Thomson Smillie

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Opera Explained – Die Fledermaus

Author
Thomson Smillie
Narrator
David Timson
Publisher
Naxos AudioBooks
Publish Date
1 February 2002
Run Time
1 hour 19 minutes
Format
Audiobook
Genre
Opera
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What to expect

Die Fledermaus is one of the few operatic works to which the phrase ‘never a dull moment’ can be truthfully applied. From the explosive opening of the famous overture – reminiscent of a volley of champagne corks – through the surging energy of the ‘Fledermaus Waltz’ and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the ‘Duidu’ finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself. The most rewarding and memorable extracts are included, and the whole piece is tantalisingly introduced – a trip to see it has to be the next step! Timson begins, “‘Nostalgia’, as the saying goes, ‘may not be what it used to be,’ but thank goodness we still have Johann Strauss’s Die Fledermaus!”

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Details
Author
Thomson Smillie
Narrator
David Timson
Duration
1 hour 19 minutes
Release Date
1 February 2002
ISBN
9781843793168
Format
Audiobook
Publisher
Naxos AudioBooks
Genre
Opera

Synopsis

Die Fledermaus is one of the few operatic works to which the phrase ‘never a dull moment’ can be truthfully applied. From the explosive opening of the famous overture – reminiscent of a volley of champagne corks – through the surging energy of the ‘Fledermaus Waltz’ and the many comic numbers, of which the accelerando trio is the finest, up to such huge concerted numbers as the ‘Duidu’ finale to Act II, this is an operetta which almost incarnates nostalgia. Thomson Smillie and David Timson infuse their exploration of Die Fledermaus with as much life as the operetta itself. The most rewarding and memorable extracts are included, and the whole piece is tantalisingly introduced – a trip to see it has to be the next step! Timson begins, “‘Nostalgia’, as the saying goes, ‘may not be what it used to be,’ but thank goodness we still have Johann Strauss’s Die Fledermaus!”

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