Remarkable . . . With brilliant descriptive power and human warmth, Sharlene Teo summons the darker currents of modernity . . . her characters glow with life and humour and minutely observed desperation

A radiant, achingly beautiful novel about relationships between women

A triumph: a nuanced examination of betrayal and grief, memory and the corrupting effects of beauty

With its thoughtful plot and vibrant prose, Ponti is one of the more assured debuts I’ve read recently . . . Too many first novels coast along on a fad-like buzz rather than the promise of a genuine upward trajectory, but everything about Ponti suggests it’s the rare, real deal and Teo’s a writer we’ll be reading for many years to come.

An unforgettable story of female friendship

A vivid coming-of-age debut . . . Teo artfully collects various stories and rolls them into one seamless narrative . . . Teo is brilliant in her portrayal of teenage anxiety

Every now and then, as a writer, you read a debut that feels so fully formed and on its feet, that part of you blanches at the failings of your own debut . . . Ponti is one of the most exciting books I have read in ages . . . There’s something so effortless about Teo’s prose, which captures Singapore from the late 1960s up to 2020. The book is as funny as it is strange, it is complex as it is light . . . Teo manages to spin the time period with ease and keep the reader utterly engrossed . . . Teo is an exciting author and Ponti is step one of a long illustrious career. It deserves prizes

A startlingly poetic and impressive debut

Witty, moving and richly evocative, Ponti paints a portrait of a country and a people negotiating the throes of modernity. It also announces a major talent — Sharlene Teo has produced not just a singular debut, but a milestone in South East Asian literature

This haunting debut hopscotches between decades and cultures, eschewing the usual moves of the coming-of-age story for something truer to the desperate, surreal stakes of adolescence. Sharlene Teo is a daring and genuinely original novelist

Strange and compelling . . . a breath of fictional fresh air

Spanning 17 years and told from the perspectives of all three women, Ponti is a stunning first novel with a wry, rebellious heart

Teo’s vivid, disquieting debut is set in sweltering Singapore . . . a sparky but sad book, charting faltering mother-daughter relationships and the intensity of teenage friendships, while explaining how past mistakes can creep into conscience years later

The loneliness of adolescence is a monstrosity manifesting in equally ugly and poetic ways. Ponti is a weird and beautiful bildungsroman and Teo’s writing shines as totally radical

Ponti is darkly hilarious. It offers up all the anxiety, snark, sadness, and wonder of being a teenager. Teo guides us through the grunge of growing up. She asks what it means to be a monster and what it means to be beautiful. Is it possible to be both?

Teo’s debut stands out from the crowd . . . the offbeat charm of this lush tale proves a stealthy delivery mechanism for a quiet tragedy of intergenerational misunderstanding

A sticky, atmospheric tale of resentment and loneliness

Teo’s portrait of Singapore is so good it would not be a surprise if Ponti were a contender for the next Ondaatje Prize, awarded to a work that best evokes “spirit of a place”. People talk about “the great American novel”, or, in Britain, “the state of the nation novel”. Ponti is a great Singaporean novel, and a marvelous investigation of the state of the tiny island nation

You know those books you can read again? And again? And again? Well, prepare for Sharlene Teo’s incredible Ponti . . . a densely layered story of a fading horror actress, Amisa; her unhappy teenage daughter, Szu and her acid-tongued best friend, Circe, which jumps from generations, decades and viewpoints, weaving in unsettling myths to boot . . . entrancing . . . A modern gem

Ponti‘s cultural commentary and multi-generational chorus of voices do indeed recall White Teeth [by Zadie Smith], while its unflinching depiction of young female friendship echoes Smith’s most recent, Swing Time . . . by the time the novel has finished, there is no denying Amisa’s dream has been realised. These three women and their stories will live on; they have been made immortal.

Exquisite, lush and menacing . . . the Singapore in Sharlene Teo’s Ponti is vivid and immediate, its people complex, beautifully sketched and captivating . . . colourful and bewitching

Funny, achingly dark and drawn with scalpel-like precision, Ponti is one of the wittiest debut novels of 2018

Ponti by Sharlene Teo is a sultry, hilarious dissection of mother-daughter relationships, and the effect of time and teenagehood on friendships, against the backdrop of Singapore B-movies. It oozes confidence.

On their own, Teo’s sharp characterizations and setting—so alive that the book seems to create its own, humid microclimate—would set this book apart. Add to that her imaginative plot, prose that turns from humor to devastation on a dime, and original storytelling, and Ponti is a beyond-promising debut.

The story, told with dark humor by an exciting new voice, navigates the intricacies and weirdness of human connections, and the impressions they leave behind