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Sanctuary

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What to expect

Sanctuary is an ancient right. But what does it mean today? Drawing on a lifetime of engagement with literature, myth, history and tradition from different cultures, Marina Warner's Sanctuary is an ambitious attempt to grapple with the sharpest questions that we are facing in today's world of global turmoil.

Sanctuary is an ancient right– a haven, a place of refuge and freedom from harm. In the classical world, it offered immunity to fugitives from justice; in medieval Europe it extended a reprieve to all who sought sanctuary in a church or holy site. It was a sacrilege to lay hands on a sanctuary-seeker: sanctuary was sacred.

But what are the principles that govern this ancient tradition? Could a revived practice of sanctuary today offer security, a home for those who seek it? What could ‘sanctuary’ offer to those who have been displaced? Or does the idea support excluding those of a certain race or creed?

Increasingly, in keeping with the general growth of nationalism and individualism, the arc of the concept has been bending away from a place of openness and welcome towards a private safe place, a redoubt: home and homeland as sanctuaries to be defended against strangers, migrants, incomers.

In this groundbreaking book, the distinguished cultural historian Marina Warner explores the principles that underpin the tradition of ‘sanctuary’. She ranges broadly across myth and history and explores the concept of hospitality, the cult of relics, shrines and festivals, the imagination of place, and travelling tales. She asks profound questions about political ideas of a right to safety, home, freedom of movement, and peace.

Sanctuary was written alongside work with the project “Stories in Transit” which brings young refugees together with artists, writers and musicians in the UK and in Sicily to invent or reimagine stories and perform them. Marina Warner reflects on the ways stories address the worst experiences of humanity and argues that the act of storytelling offers a salve, a route to a site of mutual interaction and understanding, a new place of belonging and conviviality. The book draws on a lifetime of engagement with literature, myth, history and tradition from different cultures. It is an ambitious attempt to grapple with the sharpest questions that we are facing in a world of global turmoil. Warner’s inquiry could not be more relevant.

Critics Review

PRAISE FOR MARINA WARNER’S INVENTORY OF A LIFE MISLAID

‘Wonderful – a brave, inventive, touching distillation of memory and imagination, shimmering with images, sounds and scents, conjuring a clash of lives, worlds and words’
Jenny Uglow

‘A captivating re-creation of her childhood in a lost Cairo, so incomparably louche, sensuous and fragrant, and of her parents’ improbable marriage’
Ferdinand Mount

‘An entrancing weave of memoir, history, autobiography and fiction, this adventurous book voyages through time and space to re-discover, re-imagine and reinvent a lost world. One of Marina Warner’s most beautiful works’
Michèle Roberts

‘Moving and original … Warner’s view of the past is always precise, at once generous and exacting. She has a gift for using objects to conjure up characters, feelings and atmospheres … Poignant and exquisitely crafted, Inventory of a Life Mislaid is bound to become a classic’
Catriona Seth

‘A poignant and imaginatively transgressive exploration of her parents’ marriage, a war time love match between Southern Italy and upper class England … Evocative’
Margaret Drabble

‘High-risk and multidimensional … Warner brings to these pages a lifetime of thinking about stories and the ways in which they shape our lives’
Literary Review

‘This is a wonderful rich, partly mythical memoir that sifts through the past to connect a family’s secrets to the deep-rooted colonial assumptions that still resonate in a post-Brexit Britain … never dull … Eloquent and heartbreaking’
TLS

‘Poignant and mythical’
New Statesman

‘Warner is such a skilful and imaginative writer that much of …the book reads like lived experience … the happiest of concoctions, a mix of fiction and fact, observation and speculation …This brave, painful, dazzling memoir is riveting’
Spectator

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