Strikingly empathetic . . . [Shadowlands] is that rare beast these days–a chronicle of and a meditation on an intensely politicized affair that delves beneath merely partisan concerns to touch its subject’s absurd and tragic heart. As such, it’s a work of almost foolish courage. . . . Scene by scene and act by act, in a range of literary registers that moves from the lyrical to the satirical, from theory-laced deconstruction to meat-and-potatoes reportage, he tells the tale of doomed, homemade rebellion against a force much larger than bureaucracy: the meaning-destroying, resource-gulping juggernaut of capitalist economics.

A riveting in-depth investigation . . . McCann’s arresting and brilliant firsthand account is required reading for anyone interested in the ideological gap between the American Left and Right.

A momentous and important non-fiction debut . . . The core subject is nothing less than the nature of American identity and the concept of freedom. Admirably, McCann’s ethos is not that of a neutral bystander but of a truth seeker. He thinks through viewpoints with depth and empathy, but he also takes stands and calls out the problematic for what it is. . . . This is a heavily researched and thoughtful book, written with detail and care, that asks big questions of the reader and of the country.

Shadowlands effects an entertaining, sweeping tone, developing cinematically as a colorful latticework of characters are introduced, documented, and pored over. There is no shortage of fascination in this story.

An insider account of the Malheur occupation. From the lead-up to the occupation, through the trials and the aftermath, this will be the defining chronicle of a cultural and political moment we could all do better to understand.

McCann’s account of the 2016 standoff known as the ‘Oregon Occupation’ defies categorization but is built out of a non-fiction tradition that stretches back to Joan Didion’s California essays, Capote’s In Cold Blood, and other ambitious works that begin with a violent transgression and radiate outward to take in large swaths of society during a flashpoint crisis. McCann breaks through the accepted narratives of the standoff to get at deeper truths about land in the west, ranching traditions, activist causes, and a host of other issues so central to today’s national divide.

The story Shadowlands tells is compulsively fascinating, and an excellent microcosm by which we might better understand our difficult national history and distressing political moment. McCann’s magnificent prose, ever-questing intellect, wry humor, and uncommon empathy for human and non-human forms of life alike make Shadowlands a truly rare and stunning achievement.

Elegantly rendered and deeply researched, Shadowlands brings seriousness to characters that are easily caricatured, and substance to a subject easily marginalized.

Rewarding . . . shreds the reductive narrative foisted upon the occupation, retrieving its participants from caricature.

SHADOWLANDS offers fascinating insights and poses interesting questions. . . . a valuable glimpse at a group of often overlooked people contributing to the great divide in American life.

It is a different tone. If those [other books] are more from that immersion journalism, seat-of-the-pants, gonzo journalism this is more a poetic touch. . . . He takes a different approach that readers might find ‘refreshing’.

Wonderful journalistic detailed history, with deep-rooted significance that the writer helps us comprehend both intellectually and viscerally.

The SoCal-based poet brings vivid lyricism to Shadowlands, an account of the 2016 right-wing occupation at the Malheur National Wildlife Refuge.

A nuanced account of the occupation and its aftermath . . . McCann provides plenty of perspectives from locals who thought their uninvited visitors were an aggravating and sometimes scary nuisance. But with an impressive act of imaginative sympathy, McCann also sees and describes an admirable humanity in the rebels, even as he finds many of their ideas perplexing, absurd, or dangerous . . . it’s possible this book could help some Americans see past that hate and begin to understand one another.

Marvelous . . . an essential book about our weird, current American moment.

With empathy, poetry, and a keen, clear-eyed sense of the weirdness of it all, Anthony McCann goes far beyond the cartoon version of the Malheur occupation that we all watched on the news. Shadowlands is a powerful reckoning with history and all the Big American Words—freedom, democracy, sovereignty—that echo through the silence and violence of the American West.

Anthony McCann knows the Western past has not vanished; it has just gotten weirder. Shadowlands takes us down a Western rabbit hole where a delusional settler story staged for the internet on sacred Native ground illuminates the United States we now inhabit. This is a classic American story.

As cable-news programmers and even congressmen find their profit in driving ordinary Americans and right-wing paramilitaries ever closer to civil war, Anthony McCann’s provocative, empathetic, and patriotic Shadowlands is our alarm bell in the night.

What makes Shadowlands exceptional is not only that it provides a critically informed look at the Oregon standoff, but how it offers a clear exegesis of the accumulated history that has gone into forming the American West and, by extension, America itself.

Shadowlands is an extraordinarily thoughtful exploration of division in this country that treats the Malheur Standoff for what it was: a reckoning over what kind of country we should, or shouldn’t, be living in.

A vivid and exciting account of a telling historic event.

A nuanced account . . . McCann has a sharp eye for detail, he knows the historical and natural settings, and he also understands how to get out of the way of his characters.

Colorful, insightful…well worth reading. McCann not only backlights the setting and the characters with historical detail that fleshes out the 2016 episode but also puts the story in the context of a politically tumultuous year that landed Donald Trump in the White House.

Shadowlands is a quite thorough account of the group of ‘patriots’ who occupied a federal wildlife refuge led by Ammon Bundy in 2016. . . . McCann is not a journalist. He is a poet. This made the thorough account much richer and reflective.