Listen to a sample
Shamela
- Author
- Henry Fielding
- Publisher
- Naxos AudioBooks
- Publish Date
- 1 September 2013
- Run Time
- 1 hour 30 minutes
- Format
- Audiobook
- Genre
- Classic fiction
What to expect
Critics Review
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Reading Samuel Richardson’s novel Pamela, Or, Virtue Rewarded, as I recounted in my previous review of it, is not for the faint of heart; but I am happy to say that it was all made worthwhile just this past week as I listened to a Naxos AudioBooks recording of Henry Fielding’s masterful parody fittingly entitled Shamela. Many know Fielding for Tom Jones, but his satirical powers are at full and outrageous height in Shamela. In a quarter of the number of pages found in the original story, Fielding highlights and lampoons all of Richardson’s characteristic tropes, transforming Miss Pamela Andrews from a paragon of female virtue into an archetypical scheming hussy. The great irony is that, as shamefully vicious as Shamela maybe, she is a great deal more fun to listen to than her saintly prototype. I highly recommend the audio recording of this hilarious work, which I award five bright stars. After listening to Pamela, you will laugh out loud when you hear the same voices transform their accents, grammar, and diction, bringing to life the scandalous characters and conflicts that make Shamela an impressive example of parodic humour.
Paul Byrd, austenprose.com
User Reviews
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Details
- Author
- Henry Fielding
- Narrator
- Clare Corbett, Neville Jason, Tom Burke, David Shaw-Parker, Joe Marsh, Georgina Sutton
- Duration
- 1 hour 30 minutes
- Release Date
- 1 September 2013
- ISBN
- 9781843797470
- Format
- Audiobook
- Publisher
- Naxos AudioBooks
- Genre
- Classic fiction
Synopsis
Shamela is a bawdy, spirited and hilarious response to Samuel Richardson’s hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson’s Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson’s novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage. Fielding, most famous as the author of Tom Jones and Joseph Andrews, equated morality with expediency, and he takes advantage of the comic form to provide a multi-layered satire of contemporary politics and values. He lampoons political figures, the clergy and contemporary writers with criticisms that, most importantly, contribute to a comic tour-de-force unlike any other.
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