The Blade Itself

Critics Review

• Highly recommended – a funny, finely-wrought, terrifically energetic work of high fantasy. Seek it out

  Joe Hill

• Twisty plotting and gallows humour.

  SUNDAY TIMES

• I might not end up marrying this book, but I’m certainly infatuated with it right at the moment. It’s delicious, the characters sharply drawn and their motivations believable, the clash of cultures (always particularly difficult for an author to pull off) believable as well.

  Lilith Saintcrow

• There is a gritty edge to his world and an awareness of the human cost of violence that is very contemporary

  THE TIMES

• Delightfully twisted and evil

  GUARDIAN

• The Blade Itself is a page-turner powered by a combination of fast-paced action and juicy doses of cynicism. Perhaps more remarkable, however, is the way Abercrombie sets the scene

  EDGE MAGAZINE

• There’s a fat vein of cynicism and dark humour throughout. The action scenes are fast-paced and the violence takes its toll both mentally and physically. A great start to a long journey

  DREAMWATCH

• You’d never guess that The Blade Itself is Joe Abercrombie’s debut novel. He writes like a natural. There are great characters, sparky dialogue, an action-packed plot, and from the very first words and an opening scene that is literally a cliff-hanger, you know you are in for a cheeky, vivid, exhilarating ride

  STARBURST

• An admirably hard, fast and unpretentious read from debut author Joe Abercrombie. Packs a mean punch in the bloodthirsty mayhem and mystery departments. Crammed full of torture, vengeance and bad behaviour, it’s a lively tale of savagery vs. civilisation. The Blade Itself may not reinvent the wheel, but it does serve up a whole banquet of violent action and intrigue

  SFX

• The star of the show is doubtlessly Inquisitor Glotka for simply being one of the most wonderfully bitter and cynical characters I’ve come across. With a very funny and clever internal monologue going on during every conversation he has, Glotka’s as miserable and nasty at the end as he was to start with and, especially in a heroic fantasy novel, it works perfectly

  SF CROWSNEST

• The books are good, really good. They pulled me in. Well-developed world. Unique, compelling characters. I like them so much that when I got to the end of the second book and found out the third book wasn’t
  going to be out in the US for another three months, I experienced a fit of rage, then a fit of depression, then I ate some lunch and had a bit of a lay down

  Patrick Rothfuss on The First Law trilogy

• Abercrombie writes dark, adult fantasy, by which I mean there’s a lot of stabbing in it, and after people stab each other they sometimes have sex with each other. His tone is morbid and funny and hard-boiled, not wholly dissimilar to that of Iain Banks . . . And like George R.R. Martin Abercrombie has the will and the cruelty to actually kill and maim his characters . . . Volumetrically speaking, it’s hard to think of another fantasy novel in which this much blood gets spilled

  Lev Grossman

• “Put together a terrific cast of characters … add in magic, war, plots within plots and you have a positive feast for the ears.” 20 August 2010

  DAILY EXPRESS