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The Bureau by Eoin McNamee

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The Bureau

Publisher
Quercus
Publish Date
27 March 2025
Run Time
6 hours 31 minutes
Format
Audiobook

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What to expect

'Some of the most beautiful prose being written in Ireland today' Irish Times

Lorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.

Could she not see there was death about him? Could he not see there was death about her?
Paddy worked the border, a place of road closures, hijackings, sudden death. Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.

There's illicit cash coming across the border and Brendan's backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn't care about getting caught. For the Bureau crew getting caught is only the start of the game.

Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She's cast as a minx, a criminal's moll but she's bought a shotgun. And she's bought a grave.

Critics Review

  • It's a great book...the underlying menace, the threats, the ghostliness, and the border as a character itself. It's searing, elegaic, haunting, poetic, scary. And sad.

    Anna Burns

  • For over thirty years, Eoin McNamee has been one of the outstanding writers of his generation. The Bureau is his most personal and heartbreaking novel yet, and stands shoulder to shoulder with his finest work.

    David Peace

  • Lyrical, atmospheric and full of foreboding, The Bureau takes the reader deep into the lawless hinterlands of the border. A beautiful book from a contemporary master, all the more extraordinary for being grounded in fact.

    Louise Kennedy

  • A Troubles set Bonnie and Clyde story played out to the stains of Springsteen's Born to Run. Inevitably the lovers cannot escape themselves in this poignant and tense doomladen tale. McNamee offers a deep insight of the place and time.

    Crime Time

See more reviews
  • This is an astonishingly powerful portrait of a time and place saturated in sentimentality and cruelty, where, despite the ever-present sectarianism, "nobody was on anyone's side".

    Guardian

  • There are two important things to know about the novels of the Northern Irish writer Eoin McNamee. The first is that they are short; the second is that they are brilliant. The two points are connected: McNamee's books are intense and compressed, but so carefully worked that they read smoothly. He writes about difficult stuff, his voice somewhere between James Ellroy and Don DeLillo with a touch of Cormac McCarthy . . . Right from the start the pages sizzle with danger and death . . . You don't realise how many books are filled with empty sentences until you read one that doesn't have any. Nothing is wasted here

    The Times

  • McNamee has established himself as one of the leading anatomists of the Troubles and the Border's crepuscular hinterland . . . McNamee has to be, on a sentence-by-sentence level, the author of some of the most beautiful prose being written in Ireland today . . . reminiscent of McCarthy or Proulx . . . Every page has a phrase or whole passages to take away the breath of any attentive reader . . . If you're interested in what the Border truly means, read this exceptional novel.

    Irish Times

  • [McNamee] recreates a combustible era of rampant criminality against the backdrop of political violence . . . it confirms McNamee as one of the greats of Irish crime writing

    The Telegraph

  • An extraordinary contribution to McNamee's project of depicting the process through which violence in the north is mythologised and crystallised into history; with it, he offers his most personal novel yet, without compromising the political mission that makes him one of the most radical and important writers on the island.

    The Stinging Fly

  • This is a well-nigh perfect book. McNamee's sentences have always been meticulous and miraculous, and this novel is the full flower of his genius. It is a story so bitter you had better have sweet tea to hand as you are going through. The courage required to write like this is Somme-like, and the ability to carry it off rarer than a flawless diamond

    Sebastian Barry (Irish Times Books of the Year)

  • Time, place, skewed morals and machismo are powerfully evoked in beautifully spare prose

    Guardian (Best Crime and Thrillers of 2025)

  • It's a stunning performance - and it does feel like a performance, a book you gape at as much as read. There are plenty of dead bodies here, but no dead air.

    The Critic

  • Its heartbreaking plot will stay with you long after you've finished the last page

    Harper's Bazaar

  • An intimate and pitch perfect portrait of Irish borderland villainy

    Strong Words Magazine

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Details

Author
Eoin McNamee
Narrator
Alan Turkington
Duration
6 hours 31 minutes
Release Date
27 March 2025
ISBN
9781529440461
Format
Audiobook
Publisher
Quercus
Genre
Crime and mystery: hard-boiled crime, noir fiction, Fiction / Literature / Comics / Graphic novels: narrative themes, Narrative theme: politics / economics

Synopsis

'Some of the most beautiful prose being written in Ireland today' Irish TimesLorraine would say afterwards that she was smitten straight off with Paddy Farrell. You could tell that he was occupying the room in a different way, he found the spaces that fitted him. She was the kind of girl the papers called vivacious, always a bit of dazzle to her.Could she not see there was death about him? Could he not see there was death about her? Paddy worked the border, a place of road closures, hijackings, sudden death. Everything bootleg and tawdry, nobody is saying that the law is paid off but it is. This is strange terrain, unsolid, ghosted through.There's illicit cash coming across the border and Brendan's backstreet Bureau de Change is the place to launder it. Brendan knows the rogue lawyers, the nerve shot policemen, the alcoholic judges and he doesn't care about getting caught. For the Bureau crew getting caught is only the start of the game.Paddy and his associates were a ragged band and honourless and their worth to themselves was measured in thievery and fraud. But Lorraine was not a girl to be treated lightly. She's cast as a minx, a criminal's moll but she's bought a shotgun. And she's bought a grave.

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