“Edward Blum and Paul Harvey’s masterful book is a breath of fresh air in our toxic religious culture of learned ignorance and unlearned bigotry.”

“In this powerful and groundbreaking book, historians Blum and Harvey examine how images of Jesus reflect the intersection of race and religion in America. Blending historical analysis, lucid prose, and captivating primary sources, Blum and Harvey trace the remaking of Jesus from Puritan America to antebellum slave cabins, from Joseph Smith’s revelations to Obama’s presidency. The authors compellingly argue that Christ’s body matters, that it signifies power, reflects national fears and evolving conceptions of whiteness, and perpetuates racial hierarchies by continuously reifying the idea that whiteness is sacred…They masterfully probe how a sacred icon can be a tool at once of racial oppression and liberation. A must-read for those interested in American religious history, this book will forever change the way you look at images of Jesus.”

“Blum and Harvey trace the tangled history of religion and race in America…[They] explore how the image of Christ has been constantly remade to suit the social politics of individual nations…Thoroughly fascinating.”

“Dense, scholarly, and evenhanded…this work will captivate readers of American religious and racial history.”

“Blum and Harvey are two of the most talented scholars of race and religion in the United States, and this path-breaking book reflects their ability to integrate important historical analysis with beautiful and compelling narrative. The Color of Christ brilliantly draws on original research, the latest scholarship, and popular culture to transform the ways that we see Jesus past and present.”

“Edward Blum and Paul Harvey have produced an original, impressive, and eye-opening work—as compelling in its vivid detail as it is astonishing in its immense historical sweep. The Color of Christ sets a new standard and establishes a new starting point for anyone interested in the intersection of race and religiosity in the United States. An illuminating study, for which we will long be indebted.”

“In starkly poetic prose, this book takes a seemingly simple idea—examine evolving depictions of Jesus in America—and delivers punch after punch. Blum and Harvey provide a new, paradigm-changing window into the issues of race, religion, and power. Anyone wanting to grasp the depth of religion and race in the United States needs this book. It will transform what you thought you knew.”

“A sweeping study with a bold argument, clear style, and narrative power. Blum and Harvey explore how white Americans remade Jesus into a white icon, and at the same time, they delve into the contested nature of Jesus, with many groups finding their own meanings in him. This book is one of surprises, covering new ground and inviting readers to keep reading to see what new configurations of Jesus will take place around such major events as wars, economic depressions, social justice movements, and theological movements.”

“In The Color of Christ, two of our finest historians track the changing portrayals of Jesus in American life against the vicissitudes of history, especially the troubled waters of race relations. In so doing, they have produced both a splendid book as well as a unique perspective on American religious history. This is not the first study of the images of Christ in American history, but it is indisputably the best.”

“The refreshing and engaging story of how the concept of white Jesus was appropriated and used by Americans of all ethnicities to support their cultural, social, and religious intentions. Blum and Harvey’s solid historical writing and deft use of material, culture, and media bring a fresh viewpoint to the subject of race and religion in America.”

“Both finely wrought interpretation and sweeping synthesis, The Color of Christ lays bare the racial transformations, political challenges, and deep ironies embodied in the image of Jesus. Edward Blum and Paul Harvey offer a compelling new view of race, religion, iconography…and America itself.”