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The Furies by Mandy Beaumont

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The Furies

Publisher
Hachette Australia
Publish Date
7 December 2022
Run Time
7 hours 22 minutes
Format
Audiobook
$13.95

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What to expect

'beautiful and lyrical' The Conversation

Cynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is.

Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women like Cynthia imagine better futures.

As a threatening wind begins to dry-whirl around her, seldom seen black clouds form above, roll over the golden-brown land - is that Mallory she can hear in the growling mass? In the harsh drought-stricken landscape of outback Queensland a woman can be lost in so many ways. The question is, will Cynthia be one of them?

Defiant, ferocious and unyielding - The Furies is a debut novel by Mandy Beaumont that explores the isolation felt by so many women, and how powerful we can be when we join together. It puts her firmly on the literary map, blazing forth from the terrain of Charlotte Wood, Margaret Atwood and Carmen Maria Machado, with a unique and breathtaking power.

'Expect this debut novel to collect a swag of awards' Courier Mail

'a rallying cry . . . vivid, visceral, ferocious' Carmel Bird, The Age

'stays with you . . . Beaumont's prose shines' The Saturday Paper

'The Furies is unapologetically feminist in its preoccupations' The Conversation

'Mandy Beaumont . . . firmly places herself in the same league as Australian contemporaries such as Charlotte Wood, Sophie Laguna and Hannah Kent. As beautiful as it is gut-wrenching, this is a debut that pulls no punches' Newcastle Herald

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Details

Author
Mandy Beaumont
Narrator
Olivia Beardsley
Duration
7 hours 22 minutes
Release Date
7 December 2022
ISBN
9780733650079
Format
Audiobook
Publisher
Hachette Australia
Genre
Fiction: general and literary, Fiction: general and literary, Feminism and feminist theory, Fiction: general and literary, Fiction: general and literary

Synopsis

'beautiful and lyrical' The ConversationCynthia was just about to turn sixteen when the unthinkable happened. Her mother was taken away by the police, and her father left without a word three months later. After that night, Cynthia began to walk in slow circles outside the family home looking for traces of her sister Mallory - she's sure that she must be somewhere else now, wherever that is.Cynthia knows that she doesn't belong here. Her mother never belonged here either. This is the place of violence. Despair. The long dry. Blood caked under the nails. Desperate men. Long silences. The place where mothers go mad in locked bedrooms, where women like Cynthia imagine better futures. As a threatening wind begins to dry-whirl around her, seldom seen black clouds form above, roll over the golden-brown land - is that Mallory she can hear in the growling mass? In the harsh drought-stricken landscape of outback Queensland a woman can be lost in so many ways. The question is, will Cynthia be one of them?Defiant, ferocious and unyielding - The Furies is a debut novel by Mandy Beaumont that explores the isolation felt by so many women, and how powerful we can be when we join together. It puts her firmly on the literary map, blazing forth from the terrain of Charlotte Wood, Margaret Atwood and Carmen Maria Machado, with a unique and breathtaking power. 'Expect this debut novel to collect a swag of awards' Courier Mail'a rallying cry . . . vivid, visceral, ferocious' Carmel Bird, The Age'stays with you . . . Beaumont's prose shines' The Saturday Paper'The Furies is unapologetically feminist in its preoccupations' The Conversation'Mandy Beaumont . . . firmly places herself in the same league as Australian contemporaries such as Charlotte Wood, Sophie Laguna and Hannah Kent. As beautiful as it is gut-wrenching, this is a debut that pulls no punches' Newcastle Herald

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