The Garden

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Brought to you by Penguin.

In a place and time unknown, two elderly sisters live in a walled garden, secluded from the outside world. For as long as they can remember, Evelyn and Lily have only had each other. What was before the garden, they have forgotten; what lies beyond it, they do not know.

Each day is spent in languid service to their home: tending the bees, planting the crops, and dutifully following the instructions of the almanac written by their mother. So, when a nameless boy is found hiding in the boarded house at the centre of this new Eden, the reality of their existence is irrevocably shattered. Who is he? And where did he come from?

‘The Garden is both a horror story and a meditation on love at the end of the world. It’s a testament to Newman’s extraordinary gifts that its creeping dread never overwhelms its tenderness.’ Emerald Fennell, Oscar-winning director of PROMISING YOUNG WOMAN and SALTBURN

© Nick Newman 2025 (P) Penguin Audio 2025

Critics Review

This climate-change horror story, reminiscent of John Wyndham, combines a bleak message and often brutal action with absolutely exquisite writing
Daily Mail
A fairy tale which gets you by the throat and doesn’t let go. The Garden is both a horror story and a meditation on love at the end of the world. It’s a testament to Newman’s extraordinary gifts that its creeping dread never overwhelms its tenderness. The cool restraint of the writing only compounds its devastating power.
Emerald Fennell
The Garden is a seductive modern fairytale that glitters with menace and mystery. Newman writes beautifully about isolation, confinement and contagious fear, while tending a plot that is as tangled and twisty as Evelyn and Lily’s beloved wilderness. This is a gorgeously imagined novel about growth, retreat and the sacrifices we make to protect our beliefs - and the people we love.
Emma Stonex, author of THE LAMPIGHTERS
I was enchanted by this spooky, dreamy novel. Expansive and claustrophobic in equal measure, The Garden is an eerie testament to the power of narrative to shape our reality — and the lengths we’ll go to in order to protect what we believe.
Sara Sligar, author of Take Me Apart
[An] intriguing mix of psychological mystery and dystopian gothic.
Guardian
'A dreamy, evocative novel that reads like a grown-up fairytale. Just like the garden that Evelyn tends, this story grows in meaning with every word. It asks the big questions about what makes us who we are and who to trust. And, like the best fairytales, the answers are often as dark as they are revealing.
Araminta Hall, author of OUR KIND OF CRUELTY
A gothic novel of weird sisters in the vein of We Have Always Lived in the Castle, Nick Newman’s alluring debut twists and slithers into its own mysterious, compulsively readable shape. I loved it!
Mason Coile, author of William
With shades of Shirley Jackson and Susanna Clarke, The Garden is a shapeshifting fable that will stay with you long after you leave it behind.
Sara Flannery Murphy, author of GIRL ONE
A dark, fairy tale-like novel of creeping dread
i Newspaper
Part fable, part literary thriller, wholly unmoored from genre convention, The Garden may be the elusive inheritor to the weirdness of Susanna Clarke’s Piranesi.
Vulture

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