A deeply felt meditation on home, belonging, place and memory … Restless, questing, The Giant on the Skyline is a travel book about wanting to stay put: a pilgrimage through a fabled English landscape … Stroud’s best memoir yet, the most invigoratingly expansive, strikingly written. Moving … Transformative.

Stroud writes gloriously… a deeply thoughtful exploration of the meaning of home and belonging.

Perhaps more than any other writer, Stroud has taken the elegant, elliptical memoir and forged it into the genre of life writing … In the Giant on the Skyline, Stroud has produced something exceptional: a mystical meditatation on what home means and what constitutes belonging … It is magical and haunting and profoundly moving. Stroud is exceptionally evocative when writing about nature and family … even grungy Wantage with its Greggs and charity shops sounds alluring the way Stroud describes it.

Stroud’s writing is assured, visceral, sexy as well as sensuous, richly coloured in every way, and often freshly poetic, whether dealing with a toddler’s tears over the broccoli touching the gravy, or with death and loss. She paints her way through the book with striking word pictures … Orgasmic time, druids, gentle giants… The reader swirls like a leaf on a stream, coming out amazed by the richness – and unknownness – of other people’s lives.

One of the books we’re most looking forward to in 2024: I’m a huge fan of Clover Stroud’s writing and this memoir about home and what it means to us sounds fascinating.

Stroud captures raw emotion, capturing themes of adventure, grief and the healing power of nature. Her latest book is a heartfelt meditation on what makes a home.

Clover Stroud is expert at bringing her reader right to the heart of her longing. Her writing is intimate and warm, honest and generous. A true memoirist, she looks to people and place as her canvas, in this case the psychic and physical hold of the landscape and what we call home. The Giant on the Skyline is timeless and yet firmly rooted in time, magical and mysterious and yet earthy and sensual. It is full of personality, humour and heart and I did not want it to end.

In this new giant of a book, perhaps Clover’s most profound and moving, and unquestionably her most soaringly beautiful, Clover Stroud confronts the wrench from a place that might define her and shows how the resounding power of love tethers the soul.

I can’t remember the last time I underlined so much and folded down so many pages in a book the way I have with this. What a wonderful, wise, magical book. I’ve loved all Clover Stroud’s books but The Giant on the Skyline is really quite incredible.

Clover has turned her truth-seeing gaze on a tiny corner of the English landscape. This book is drenched in some of the most brilliant writing about place I’ve read in a long while. It’s as evocative as Laurie Lee, chalked up with Clover’s incisive, poetic encounters with magic, pain and belonging. A beautiful book, written in lyrical, liquid prose that seems to flow straight from the heart to the page.