The Girl on the Train
- Author Paula Hawkins
- Narrator India Fisher, Louise Brealey, Clare Corbett
- Publisher Transworld
- Run Time 10 hours and 57 minutes
- Format Audio
- Genre Crime and mystery fiction, Crime and mystery: women sleuths, Modern and contemporary fiction, Narrative theme: Sense of place, Psychological thriller, Thriller / suspense fiction.
Titles Purchased
- 1-5
- 6-10
- 11-15
- 16-20
- Over 20
Price p/Title
- $13.95
- $12.95
- $11.95
- $10.95
- $9.95
Listen to a sample
What to expect
Brought to you by Penguin.
Winner of the 2016 Audie Award for Audiobook of the Year.
Includes an exclusive extract from Paula Hawkins' scorching new thriller A Slow Fire Burning, read by Rosamund Pike.
Rachel catches the same commuter train every morning. She knows it will wait at the same signal each time, overlooking a row of back gardens. She's even started to feel like she knows the people who live in one of the houses. 'Jess and Jason', she calls them. Their life - as she sees it - is perfect. If only Rachel could be that happy.
And then she sees something shocking. It's only a minute until the train moves on, but it's enough.
Now everything's changed. Now Rachel has a chance to become a part of the lives she's only watched from afar.
Now they'll see; she's much more than just the girl on the train...
'Gripping, enthralling - a top-notch thriller and a compulsive read.' SJ Watson, bestselling author of BEFORE I GO TO SLEEP
©2015 Paula Hawkins (P)2015 Penguin Audio
Critics Review
-
Really great suspense novel. Kept me up most of the night. The alcoholic narrator is dead perfect.
STEPHEN KING -
The thriller scene will have to up its game if it’s to match Hawkins this year
Observer -
A complex and increasingly chilling tale courtesy of a number of first-person narratives that will wrong-foot even the most experienced of crime fiction readers
Irish Times -
achieves a sinister poetry . . . Hawkins keeps the nastiest twist for last
Financial Times -
Hawkins’ masterful deployment of unwittingly unreliable narration to evoke the aftershocks of abuse and trauma is a powerful way of exploring women’s marginalization
Huffington Post
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