The Lost Treasures of R&B

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What to expect

Professional bodyguard D Hunter takes a gig protecting rapper Asya Roc at an underground fight club in poverty-stricken Brownsville, Brooklyn. Unknown to D, the rapper has arranged to purchase illegal guns at the event. An acquaintance of D's from the streets, Ice, turns out to be the courier.

During the exchange a robbery is attempted, and Ice is wounded. D gets Asya Roc to safety but, now in possession of the illicit merchandise, finds himself being chased by two gunmen. When D and his pursuers run into a corrupt detective, a bloody shootout ensues.

D, who has just moved back to Brooklyn after decades in Manhattan, finds himself involved in multiple mysteries. Who were the gunmen? Why were they after the guns? Who was being set up—Asya Roc or Ice? Meanwhile, he gets a much-needed paying assignment to track down the rarest soul music single ever recorded.

With gentrifying Brooklyn as the backdrop, D works to unravel various mysteries—both criminal and musical—while coming to terms with the failure of his security company and the ghosts of his childhood in "old Brooklyn." Like its predecessors The Accidental Hunter and The Plot against Hip Hop, The Lost Treasures of R&B uses pop music as the backdrop for a noir-flavored big-city tale.

Critics Review

“Nelson George’s smooth security guard turned detective, a.k.a. D, scours a demimonde as glamorous as Chandler’s Los Angeles…D Hunter is
destined to become a classic.”

Mary Karr, New York Times bestselling author

“A fine mystery, and D Hunter is as world
weary, yet steadfast, as Philip Marlowe, Spenser, Dave Robicheaux, or
Easy Rawlins.”

Library Journal (starred review)

“George’s lively third D Hunter mystery takes bodyguard and musical-history authority D back to Brooklyn, where
he grew up, after his Manhattan security company fails…George
covers a lot of ground with style: the rhythm-and-blues music scene past
and present, the sometimes startling evolution of Brooklyn and its
environs, and the multitude of hangers-on, wannabes, and grifters who
want a piece of the action.”

Publishers Weekly

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