The Murder of the Century

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What to expect

In Long Island, a farmer found a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discovered a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumbled upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime were turning up all over New York, but the police were baffled: there were no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectives headlong into the era’s most perplexing murder. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Re-creations of the murder were staged in Times Square, armed reporters lurked in the streets of Hell’s Kitchen in pursuit of suspects, and an unlikely trio—an anxious cop, a cub reporter, and an eccentric professor—all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim that the police couldn’t identify with certainty, and that the defense claimed wasn’t even dead.

The Murder of the Century is a rollicking tale—a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day.

Critics Review

u201cRivetingu2026Collins has mined enough newspapernclippings and other archives to artfully recreate the era, the crime, and thennewspaper wars it touched off.u201d

New York Times

u201c[Collinsu2019] exploration of the newspaper world,nat the very moment when tabloid values were being born, is revealing but alsonenormously entertainingu2026Collins has a clear eye, a good sense of tellingndetail, and a fine narrative ability.u201d

Wall Street Journal

u201c[A] richly detailed book that reads like annovel and yet maintains a strict fidelity to facts. The Murder of the Century isnu2019t a case of history with a moral. Itu2019snsimply a fantastic factual yarn, and a reminder that abhorrent violence isnnothing new under the sun.u201d

Oregonian (Portland, OR)

u201cAn in-depth account of the exponential growthnof lurid news and the publicu2019s (continuing) insatiable appetite for it.u201d

Publishers Weekly

u201cWonderfully rich in period detail, salaciousnfacts about the case, and infectious wonder at the chutzpah and inventiveness displayednby Pulitzeru2019s and Hearstu2019s minions. Both a gripping true-crime narrative and annastonishing portrait of fin de siu00e8cle yellow journalism.u201d

Kirkus Reviews

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