What Should You Expect When You Read This Book?

This book is not just a project for me; it’s a labor of love. It all began during my time at Berklee College of Music, when I was tasked with choosing a research topic. I found myself drawn to the question, “Why there are no more Black R&B groups in existence?” This wasn’t just an academic curiosity; it was a topic that resonated deeply with me, as my research revealed that 99% of all R&B groups are majority African American.

Inside the book, the first section gives you a history review of 10 to 12 of the most successful R&B groups per decade. The quantitative research for this section was based on the following:

Record sales

Billboard Hot 100 charting singles

Grammy wins

Notable performances

The second section of the book explores a question that I believe is of great interest to many of you: why have R&B groups disappeared since the mid-2000s? This is not just a financial analysis, it’s a qualitative exploration that I’m still actively researching. We’ll uncover five main reasons, each one offering a deeper understanding of the complex issues at play.

The final chapter will share my brief thoughts on predictions for the future, where I analyze current signs of what is to come in the world of R&B groups.

That is what you can expect from this book. Feel free to read the book from front to back or skip ahead and read the “What Happened” section. Thanks for reading the book, and let’s prepare for our journey.

What Does The Quiet Storm Title Mean?

The Quiet Storm title has a substantial meaning, which gives further credence to the journey of R&B groups. In the mid-1970s, a DJ from WHUR 96.3 in Washington, DC (Howard University’s signature station), named Melvin Lindsey created this radio format. The music format was love songs from 1950s, 1960s, and 1970s Black artists. When the initial response from listeners was positive, the station manager for WHUR, Cathy Hughes, gave Melvin Lindsey and his classmate Jack Shuler their own show. The show’s name came from the Smokey Robinson song “Quiet Storm,” which was released in 1975.

Eventually, the show ran for four hours and kept its focus on laid-back, smooth grooves that made for easy listening. Within a short amount of time, every station in the United States with a core Black, urban audience adopted a similar format for its late-night shift. KBLX-FM in San Francisco expanded this concept into a 24-hour quiet storm format. In New York, Vaughn Harper from WBLS-FM adopted a similar format.

The Quiet Storm concept continued on radio stations until the late 1990s, as hip-hop music was the preferred genre for younger listeners, and radio stations underwent a shift in programming to capture these listeners.

I grew up in Washington, DC, listening to The Quiet Storm. This book’s title allows me to pay tribute to this radio format creation while still recognizing the groups that earned fame based on the exposure from The Quiet Storm DJs across the country.