Taylor is blisteringly good on systemic male violence against women, but The Shore is an inspiring read rather than a bleak one, full of compelling voices, vivid stories and memorable characters. It’s a great book.

[A] remarkable first novel, an intricately plotted series of episodes in the life of two families … A challenging family history of violence, murder, rape, castration and magic … Taylor is a terrific storyteller with a flawless narrative voice and, as a portrait of the impoverished rural south, this novel is a real achievement … There are ambitious experiments …The Shore is a mesmerising, powerful read.

An exuberant talent announces her arrival in this Baileys-nominated collection of interlinked stories touching on murder, misogyny and morality … To find the connections between stories, you have to follow names, places and even objects through 200 years of timeline … It’s a strange but pleasurable way to read, an experience at once postmodern and childish …The green, lush landscape, the oyster beds, insects and crabs, are evoked through so many eyes and felt by so many hands that we start to believe in their enduring existence, giving backbone and depth to the green politics of the book …Taylor, it seems, can do dark realism as well as she can the magic kind – in fact, she seems able to do most things. This debut is a testament to an exuberant talent and an original, fearless sensibility. It’s also enormous fun to read.

Taylor is a beautiful writer, exceptionally talented in fact, and brings us lyrically into the hearts of each of her many characters … I do look forward to reading more Taylor.

I’m very fond of this book…It’s very Southern Gothic…It’s blisteringly good on systemic male violence against women…It also has moments of humour…It’s written in a very lively, compelling way. It’s a great book.