A revelation, about the making of carpets, and of markets, and of aesthetic taste. This beautiful book balances Dorothy Armstrong’s expertise and her enthralling storytelling perfectly. The tale of each carpet as she tells it is untidy and tragic and comical all at once

Who knew that carpets contained such a wealth of fascinating history? Dorothy Armstrong for one, and she shares a lifetime’s passion with enviable elegance, weaving her way across centuries and continents. The vocabulary of storytelling is threaded with metaphors straight from the loom; this book shows us why

Beautifully written and ceaselessly entertaining. If you read one book about carpets this year, make it this one

A wonderfully conceived and very engagingly written window onto global culture, history and politics through the prism of carpets. Products of unknown, unnamed and often illiterate artists of the highest skill, especially from the continent of Asia, these textiles have formed the home-settings of nomadic and settled peoples from lowly farmers to the highest aristocracy, across the world. Armstrong’s enthusiasm, historical and technical command of her field, and her deep knowledge of so much of world history shines through like a bolt of enlivening sunshine

A carpet has many stories to tell, from the time and place where it was woven by hand through to the time and place where it was used and cherished. This book helps us to locate that object in a unique way thanks to the many layered perspective that the author offers interweaving the personal and global, the political and the cultural, the historic and the intangible into a narrative that puts carpets, perhaps unknowingly, at the centre of the human experience

Handwoven carpets have long been regarded as a hallmark of civilisation. Sought after by the rich and powerful alike as markers of status they have likewise been acquired as trophies by conquerors keen to cement their victories. This excellent study by Dorothy Armstrong shows how, over millennia, these ultimate status symbols have both defined and been defined by the political cultures that produced them

I am much enjoying this absorbing history of the world through the stories of twelve notable carpets. It tells engrossing tales of emperors, shahs, sultans and samurai, as well as the poor illiterate weavers who made them, and in the process sheds surprising light on the workings of empire

A fascinating exploration of the part twelve carpets have played in world events. Carpets, usually woven by nameless women, have been desired throughout history by sultans and holy men, tycoons and tyrants, and their histories shed light on power dynamics across the ages . . . the book contains exquisite images and descriptions of some of the rarest and most important carpets ever made . . . Always at the forefront of Armstrong’s accounts of these carpets are their anonymous makers: craftspeople, prisoners, women and children – marginalised, often itinerant, almost always on the wrong side of history

[Carpets] she chooses for her fascinating alternative history cover 2,500 years and a geographical span from Japan to California via the weaving heartlands of the “stans” of Central Asia. They survived in a frozen Scythian tomb, stitched into the armour of a medieval Japanese samurai and in the Lutheran churches of Transylvania. Each has a story. Armstrong’s account of the unshowy carpet clinically designated “9-67” in the Burrell Collection in Glasgow, for example, touches on Egypt’s Mamluks, Richard the Lionheart and Saladin, the Ottoman Sultan Selim the Grim and a Scottish shipping merchant – yet little about it can be definitively proved. Here, as with all her carpets, she retrieves something of the history so long trodden underfoot.

Meticulously researched . . . An intriguing, revelatory historical perspective