Under the Knife

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What to expect

The history of surgery in 28 famous operations - from Louis XIV to JFK, and from Einstein to Houdini.

In Under the Knife, surgeon Arnold Van de Laar uses his own experience and expertise to tell the witty history of the past, present and future of surgery.

From the story of the desperate man from seventeenth-century Amsterdam who grimly cut a stone out of his own bladder to Bob Marley's deadly toe infection, Under the Knife offers all kinds of fascinating and unforgettable insights into medicine and history via the operating theatre.

What happens during an operation? How does the human body respond to being attacked by a knife, a bacterium, a cancer cell or a bullet? And, as medical advances continuously push the boundaries of what medicine can cure, what are the limits of surgery?

From the dark centuries of bloodletting and of amputations without anaesthetic to today's sterile, high-tech operating theatres, Under the Knife is both a rich cultural history, and a modern anatomy class for us all.

(P)2018 Hodder & Stoughton Limited

Critics Review

  • This is history with a surgeon’s touch: deft, incisive and sometimes excruciatingly bloody . . . A fascinating combination of art, medical science and – still – daring butchery

    The Sunday Times
  • Utterly eccentric and riveting

    Mail on Sunday
  • Irresistible . . . Van de Laar renders complex surgical procedures not only understandable, but also immensely entertaining . . . A lot of fun

    The Times
  • [A] fascinating history of surgery . . . eye-opening and, frequently, eye-watering . . . a book that invites readers to peer up the bottoms of kings, into the souls of rock stars and down the ear canals of astronauts

    The Daily Telegraph, 5* review
  • Fascinating . . . a brisk but revealing tour of the human body. Each story shines a light on the wonders and weaknesses of our biology, and on the science we have used to treat it

    Irish Independent
  • Fascinating . . . The author’s sense of humour is as sharp as his scapel

    Spectator

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