We Had To Remove This Post
- Author Hanna Bervoets
- Narrator Khristine Hvam
- Publisher Pan Macmillan
- Run Time 2 hours and 44 minutes
- Format Audio
- Genre Digital and information technologies: social and ethical aspects, Fiction in translation, Impact of science and technology on society, Modern and contemporary fiction, Narrative theme: Interior life, Narrative theme: Social issues, Violence and abuse in society.
Titles Purchased
- 1-5
- 6-10
- 11-15
- 16-20
- Over 20
Price p/Title
- £7.99
- £6.99
- £5.99
- £4.99
- £3.99
Listen to a sample
What to expect
'The dank underside of social media, its cruelty and delusions . . . superbly poised, psychologically astute and subtle' - Ian McEwan, author of Atonement
'A glimpse of the foetid underbelly of the internet' - The Times
We Had To Remove This Post by Hanna Bervoets is a chilling, powerful and gripping story about who or what determines our world view.
To be a content moderator is to see humanity at its worst — but Kayleigh needs money. That’s why she takes a job working for a social media platform whose name she isn’t allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed.
Kayleigh and her colleagues spend all day watching horrors and hate on their screens. Yet Kayleigh is good at her job, and in her colleagues she finds a group of friends, even a new girlfriend — and for the first time in her life, Kayleigh’s future seems bright.
But soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators own morals bend and flex under the weight of what they see?
Examining the toxic world of content moderation, the novel forces us to ask: what is right? What is normal? And who gets to decide?
Translated from the original Dutch by Emma Rault.
'Taut as a thriller, sharp as a slug of ice-cold vodka' - Irish Times
'Fast paced and thrilling, violent and nightmarish' - Kristen Arnett, author of Mostly Dead Things
'An acid glimpse into a new form of labor existing today' - Ling Ma, author of Severance
Critics Review
-
Acid-dipped novella . . . a glimpse of the foetid underbelly of the internet and a sobering consideration of who is deciding what we see, and at what cost.
The Times -
A chilling page-turner . . . the unreliable narrator gives it a strong literary heartbeat — and it’s richly suspenseful too. With a few deft strokes [Bervoets] manages to incorporate all of the ills of social media into one concise story . . . utterly haunting.
The Sunday Times -
The setting alone is compelling and has always been in need of an accomplished novelist’s attention . . . The dreamlike climax of the final pages is beautifully wrought. Men might usefully confront in Bervoets a writerly intelligence at once so tender and so willing to look into the abyss.
The Guardian -
Bervoets’ neat dissection of morality is as taut as a thriller, sharp as a slug of ice-cold vodka.
Irish Times -
Surprising and enigmatic . . . intriguing and frustrating . . . As we spend more and more time in the trickmirror of the internet, how can we know what or whom to believe?
The New York Times -
A very modern tale about the dark side of the internet.
The Times 'Best Books of Summer'
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