What’s Left of Me is Yours

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What to expect

A NEW YORK TIMES 'EDITOR'S PICK'
ONE OF THE OBSERVER'S 10 BEST DEBUT NOVELISTS OF 2020

'Enrapturing' New York Times
'A brilliant debut' Louise Doughty
'You'll have the heart rate of an Olympic hurdler' Sunday Express
'I read it with my heart in my throat' Sara Collins
'An exquisitely crafted masterpiece' Woman & Home

Within the Tokyo underworld there is an industry which exists to break up marriages. It is known today as wakaresaseya - agents who, for a fee, can be hired by one spouse to seduce the other and provide grounds for divorce on favourable terms.
Inspired by a real case, this is the story of Kaitaro Nakamura, a wakaresaseya agent, who is hired by a man to seduce his wife. Kaitaro falls in love with his target, Rina, and after the divorce she moves in with him, unaware of his role in the demise of her marriage.
Inevitably, however, the truth resurfaces... with tragic consequences.

Critics Review

  • I loved What’s Left of Me Is Yours. Gripping, heartbreaking, immersive. I read it with my heart in my throat.

    Sara Collins, author of THE CONFESSIONS OF FRANNIE LANGTON
  • A brilliant debut.

    Louise Doughty, #1 bestselling author of APPLE TREE YARD and PLATFORM SEVEN
  • Dark, addictive and eye-opening, this is a brilliant debut.

    Stylist, Best Books April 2020
  • The wealth of detail about life in Japan is truly fascinating… you’ll have the heart rate of an Olympic hurdler.

    SUNDAY EXPRESS
  • This incredible debut is one you’ll be pressing into the hands of others… it’s an exquisite read.

    WOMAN'S WEEKLY
  • [Scott] weaves in fascinating explanations of the legal system… the world she creates in What’s Left of Me Is Yours feels very sure under foot: deeply researched, but delicately described. Scott gives a clear sense of place and time, from contemporary Tokyo to evocations of seaside holiday cabins and shrines in forests… she braids her different characters’ timelines together with sophistication, her storytelling harmoniously well-constructed. The big questions over whether it’s better to lie or to tell a difficult truth, and what might constitute a betrayal, are layered across generations and decades and there is strength in the subtlety with which Scott slowly unpacks them.

    THE OBSERVER

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