“A smart and rollicking novel, with suspense and shipwrecks galore…Boyle proves his mettle by grafting a page from the strange-crime annals into a life-and-death story of evolution, shipwrecks and dominion over the earth…Character, science and history co-evolve marvelously here in a tale of fanaticism gone literally overboard.  Boyle devotees will find everything they expect in the way of manic plotlines, flamboyant obsessions, and cool comeuppance outlandishly delivered.”

“Terrifically exciting and unapologetically relevant…Boyle’s white-water prose propels us through sixty years of tumultuous history involving the Northern Channel Islands off the coast of Ventura, California. Long a master at scenes of quick-moving crisis, Boyle punctuates this plot with some of the best disasters of his career…Gripping.”

“Mudslides, earthquakes, floods, fires—nothing quite gets T. C. Boyle’s juices going like a natural disaster putting his characters through a wringer…[Boyle’s] jazzy, slangy, iridescent style could scarcely be more of the moment…He writes lyrically, beautifully—about the ocean, the land, about California history and its pitfalls and perils…Boyle makes us laugh and wonder at his dazzling gifts but his comedy is a dark business.”

“The wind-racked, sun-cooked, fogged-in, rain-drenched, mostly-but-not-quite-altogether-wild Channel Islands—this novel’s primary setting—are made for Boyle’s robust language and relentless rhythms…the rage, obsessions, and tragic self-righteousness that drive many of Boyle’s characters in his other novels are in full swing here, but they’re somewhat tempered by sincerity and epiphany.”

“The Pacific coast is anything but pacific. It’s cold, rocky, harsh, fogbound, the perfect place for T. C. Boyle to bring together all his themes…And he is at his best here.”

“Boyle’s play-by-play skewering of a contemporary environmental standoff modeled on real life events is as dramatic and richly textured as his best work.”

“When the Killing’s Done falls in nicely with the mood of Margaret Atwood’s vatic sci-fi tales or Jonathan Franzen’s recent naturalistic Freedom…It’s an exciting narrative, incorporating tragedy, anger, and a satisfying amount of natural history.”

“There’s nothing reserved about T. C. Boyle, the maximalist whose never met a scene he couldn’t spin into a fireworks show…The opening shipwreck scene will leave you wearing a life jacket in the bathtub…When the Killing’s Done may be the world’s first island-biogeographical thriller.”

“Boyle combines this strong commitment to the sheer entertainment of a well-told story with a fervent insistence that we think for ourselves.”

“Boyle spins a grand environmental and family drama revolving around the Channel Islands off Santa Barbara in his fiery latest. Boyle’s animating conflict is tense and nuanced, and his sleek prose yields a tale that is complex, thought-provoking, and darkly funny—everything we have come to expect from him.”

“Incisive and caustically witty, Boyle is fluent in evolutionary biology and island biogeography, cognizant of the shared emotions of all sentient beings, in awe over nature’s crushing power, and, by turns, bemused and appalled by human perversity. Boyle brings all these powers and concerns to bear as he creates magnetic characters and high suspense, culminating in a piercing vision of our needy, confused, and destructive species thrashing about in the great web of life.”

“T. C. Boyle excels at rollicking black humor, and humanity’s attempt to control the environment provides him with ample fodder…Narrator Anthony Heald dials up the irony an extra notch. He employs a strident tone to capture LaJoy’s volatility and slightly increases his pace for LaJoy’s inner dialogue, though which the biologist expresses constant irritation with life’s inconveniences. Heald’s hippy-dippy voice for LaJoy’s friend, Wilson, is marvelous fun.”

“Boyle is no stranger to environmental fiction…Here, Boyle delves deep into environmental philosophy by creating two characters passionate about saving animals but in diametrically opposed ways…Boyle uses the conflicts between his characters to explore the changing philosophy of human and animal relationships. Whether we regard this work as environmental fiction or a philosophical treatise on land ethics, Boyle has delivered yet another quandary to ponder.”

“Read this engaging and lively and timely story, with the truths on both sides of the human arguments neatly dramatized, weighed and balanced, and a wild homage to the power of the natural world.”

“In one of his richest and most engaging novels, Boyle characteristically combines a dark sense of humor and a subversive streak as he illuminates the dark underbelly of all-American idealism…A richly detailed back story provides additional context, as Boyle nimbly plays chronological hopscotch…The novel never reduces its narrative to polemics—there are no heroes here—while underscoring the difficult decisions that those who consider themselves on the side of the angels must face. Narrative propulsion is laced with delicious irony in this winning novel.”