William Blake and The Sea Monsters of Love

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What to expect

Weaving between the historical, personal and cultural, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the revolutionary genius of William Blake.

In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of his hero, Paul Nash, who had photographed Dorset’s ancient megaliths a generation before. Both artists had an overarching guiding star for whom the mysterious site was a utopian dream of a better world – a visionary who had died long ago yet remained electrically alive to them.

In this alluring and strange poetic odyssey, Philip Hoare traces the vast and enduring legacy of William Blake. Reaching out of the past and far into the future, Blake’s work draws together the natural world and the metaphysical realms, launching his uproarious spirit into the lives of countless artists, filmmakers, poets, writers, musicians, eccentrics and rebels. That same spirit of protest and radicalism continues to inspire us today, with Blake’s promise of absolute freedom and the possibility of positive change.

Critics Review

Prepare to be confused, dazzled and amazed: it’s a poetic fever dream of a book … It’s not just a book about Blake: it’s a Blakean book’ Ian Sansom, Telegraph

‘Each of Hoare’s subjects is affected with a certain wildness, a loosening of societal norms that makes for expressive beauty and eccentricity, giving the author a host of colourful and hyper-connected anecdotes. In doing so, they make him a part of the very tradition he is recording, his own work here reaching ecstatic heights, his prose filled with moments of sudden clarity, his life and passions glimpsed’ Philip Marsden, Spectator

This wild, dreaming leviathan of a book is undoubtedly Hoare’s masterpiece … It is a mesmerising tapestry, intricate, strange and very queer, that ranges through time and space’ Olivia Laing, author of The Garden Against Time

Wild, free, exhilaratingly beautiful, and so alive to the past that everyone and everything seems to be happening right now on the page. I cannot think of a more original writer at work today … To look at English art through his eyes is to see more than you ever could before’ Laura Cumming, author of Thunderclap

‘An impassioned magnum opus celebrating Blake’s star-shaken genius by discovering his lineage everywhere in the author’s own crystal cabinet of artists and outlaws. A tremendous literary performance’ Iain Sinclair, author of The Last London

William Blake and the Sea Monsters of Love is obviously, and winningly, animated by the overpowering excitement that the author feels when he encounters the works of William Blake … Hoare’s passion for Blake is a marvellous thing, as is his admiration for Nash’ Literary Review

An exuberant romp … [Hoare] examines a Blakean universe replete with fairies and spirits, butterflies and stars, sacred monsters and hermaphrodites. Sometimes maddeningly digressive, Hoare’s history is, nonetheless, endearingly intimate. Abundantly illustrated. An imaginative response to an enigmatic artist’ Kirkus Review

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