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Charles Dickens and the Great Theatre of the World

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What to expect

A short life of Dickens which celebrates the impact of the theatre on his life and work

Acclaimed actor and writer Simon Callow captures the essence of Charles Dickens in a sparkling biography that explores the central importance of the theatre to the life of the greatest storyteller in the English language.

From his early years as a child entertainer in Portsmouth to his reluctant retirement from ‘these garish lights’ just before his death, Dickens was obsessed with the stage. Not only was he a dazzling mimic who wrote, acted in and stage-managed plays, all with fanatical perfectionism; as a writer he was a compulsive performer, whose very imagination was theatrical, both in terms of plot devices and construction of character.

Like many actors, Dickens felt the need to be completed by contact with his audience. He was the original ‘celebrity’ author, who attracted thousands of adoring fans to his readings in Britain and across the Atlantic, in which he gave voice to his unforgettable cast of characters.

In Charles Dickens and the Great Theatre of the World, Callow brings his own unique insight to a life driven by performance and showmanship. He reveals an exuberant and irrepressible talent, whose ‘inimitable’ wit and personality crackle off the page.

Critics Review

  • ‘This is the book we have long been waiting for and only Simon Callow could have written it. The theatre was central to Dickens’s life, and it needed a skilled biographer to do justice to the subject. Simon Callow rises superbly to the challenge and the result is a marvellous book that really deepens and enriches our understanding and enjoyment of Dickens.’ Michael Slater

    ‘Callow brings out Dickens’s passion for theatre … [he] writes with great authority and elegant insouciance, which makes this “biography with a twist” very entertaining.’
    Independent on Sunday

    ‘A comprehensive biography as enthralling as one of his own performances … A great achievement.’
    Catherine Peters, Literary Review

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