My Friends

It is impossible to describe the profound depth and beauty of this book. MY FRIENDS is a breathtaking novel, every page a miracle and an affirmation. If there is a language of exile, MY FRIENDS is what it sounds like: exquisite and painful, compassionate and unflinching, and above all, overwhelming in its boundless hope that within exile rests a path towards a different kind of return. One that leads us back to ourselves. Hisham is one of our greatest writers, how lucky we are to be in his midst.

Maaza Mengiste, author of THE SHADOW KING, shortlisted for the Booker Prize

'I could not love this book more. Reflective, compelling, deeply tender at times, there are surprising shifts and turns and moments of utter brilliance where new understanding blooms. A walk across London from King’s Cross Station to Shepherd's Bush gives rise to memories of a life diverted by a moment of political action. About friendship, exile, belonging, lives lived and not lived, and Libya's recent past, London emerges as a place of refuge, a transitory half-home even after three decades, a stepping stone. As soon as I finished, I started again beguiled by Matar’s long, sinuous sentences and enlivened by my new knowledge of what it was all about, my heart moving in my chest. My Friends is the most beautiful, complete, masterful novel I have read in a long time. Read it.'

Priscilla Morris, author of the Women's Prize shortlisted BLACK BUTTERFLIES

Tender, precise, and incredibly moving, MY FRIENDS is a rare novel, holding so much of the human heart that it is at times unbearably real. It’s impossible to read this book without feeling a renewed connection to the world and all its intricate sorrow and love.

Seán Hewitt, author of ALL DOWN DARKNESS WIDE

Poignant and quietly suspenseful... Readers encountering Matar for the first time will find in “My Friends” a masterly literary meditation on his lifelong themes. For those who already know his work, the effect is amplified tenfold.

New York Times

Meditative yet propulsive – as well as structurally inventive – the narrative puts us in Khaled’s mind as he walks across his adopted city while reflecting on youth, exile and the flashpoints of Libya’s recent history

Anthony Cummins

Dazzling...a personal, deeply felt work...tightly structured and controlled, looping back and forth through time and memory, building on itself in a process of gradual expansion and revelation

Toronto Star