
Rosarita
- Author Anita Desai
- Narrator Meera Simhan
- Publisher Pan Macmillan
- Publish Date 4 July 2024
- Run Time 2 hours and 33 minutes
- Format Audio
- Genre Family life fiction, Generational sagas, Modern and contemporary fiction, Narrative theme: Coming of age, Narrative theme: Death, grief, loss, Narrative theme: Displacement, exile, migration, Narrative theme: Identity / belonging, Narrative theme: Interior life, Narrative theme: journeys and voyages, Narrative theme: Love and relationships, Narrative theme: Sense of place, Narrative theme: Social issues.
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What to expect
'Anita Desai is a magnificent writer' - Salman Rushdie
'Every new work from her is a gift' - Kamila Shamsie
'Rosarita is transcendent . . . a testament to Desai’s enduring genius as a writer' - The Guardian
'Tantalising' - Financial Times
From three times Booker-shortlisted author Anita Desai, Rosarita is a beautiful, haunting novel that explores memory, grief, and a young woman’s determination to forge her own path.
A young student sits on a bench in a park in San Miguel, Mexico. Bonita is away from her home in India to learn Spanish. She is alone, somewhere she has no connection to. It is bliss.
And then a woman approaches her. The woman claims to recognize Bonita because she is the spitting image of her mother, who made the same journey from India to Mexico as a young artist. No, says Bonita, my mother didn’t paint. She never travelled to Mexico. But this strange woman insists, and so Bonita follows her. Into a story where Bonita and her mother will move apart and come together, and where the past threatens to flood the present, or re-write it.
**Praise for Meera Simhan**
'With vocal agility Simhan deftly shifts her tone and accent to realistically narrate diverse characters . . . Simhan's strength lies in narrating emotionally fraught passages that will move listeners' - AudioFile Magazine
**Praise for Anita Desai**
Hypnotically beautiful and subtle’ - Financial Times
‘Bewitchingly beautiful’ - The Times
‘Profoundly elegiac’ - New Statesman
Critics Review
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