The Crossing

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What to expect

She is sailing. She is alone. Ahead of her is the world's curve and beyond that, everything else. The known, the imagined, the imagined known.

Who else has entered Tim's life the way Maud did? This girl who fell past him, lay seemingly dead on the ground, then stood and walked. That was where it all began.

He wants her - wants to rescue her, to reach her. Yet there is nothing to suggest Maud has any need of him, that she is not already complete. A woman with a talent for survival, who works long hours and loves to sail - preferably on her own. A woman who, when a crisis comes, will turn to the sea for refuge, embarking on a voyage that will test her to the utmost, that will change everything . . .

From the Costa Award-winning author of Pure comes a viscerally honest, hypnotic portrait of modern love and motherhood, the lure of the sea and the ultimate unknowability of others. This pitch-perfect novel confirms Andrew Miller's position as one of the finest writers of his generation.

(P)2015 Hodder & Stoughton

Critics Review

  • Told in his usual exquisite prose, the story centres on the strangely reticent character of Maud, who leaves the West Country after a tragedy and bravely attempts to single-handedly sail across the Atlantic. You know you’re going to like a character when, in the first few pages, she falls 20ft in a boatyard, then gets up and tries to walk. Infused with nautical detail and the cool brine of the sea, this is perfect summer reading

    Observer

  • We readers have a most fabulous time . . . Maud, and questions about Maud, will linger in your mind long after you close this remarkable novel

    Guardian

  • Hypnotic . . . Andrew Miller has a poet’s ear but he can also write white-knuckle passages that will leave you winded by towering waves. Most surprising of all, you’ll find yourself rooting for Maud as she confronts the limits of her own detachment

    Mail on Sunday

  • Visceral and exquisitely written . . . few characters are so neutrally, impassively masterful. In her silence she is magnificent . . . Miller, wisely, hardly analyses Maud. But the portrayal of this practical, disconcerting figure is wildly emotional

    Lady

  • Achieves a kind of hallucinatory strangeness, simultaneously intriguing and disturbing

    Spectator

  • Part relationship study, part sailing yarn, this odd yet enthralling book lingers long in the mind

    Financial Times

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