The Bee Sting

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What to expect

Brought to you by Penguin.

WINNER OF THE NERO BOOK AWARD FOR FICTION 2023
WINNER OF AN POST IRISH BOOK OF THE YEAR 2023

SHORTLISTED FOR THE BOOKER PRIZE 2023
SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024


The Barnes family are in trouble. Until recently they ran the biggest business in town, now they’re teetering on the brink of bankruptcy – and that’s just the start of their problems. Dickie and Imelda’s marriage is hanging by a thread; straight-A student Cass is careening off the rails; PJ is hopelessly in debt to the school bully. Meanwhile the ghosts of old mistakes are rising out of the past to meet them, but everyone’s too wrapped up in the present to see the danger looming . . .

'A tragicomic triumph. You won't read a sadder, truer, funnier novel this year' Guardian

'Generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life' Financial Times

‘Paul Murray [is] the undisputed reigning champion of epic Irish tragicomedy’ Spectator

‘An instant classic’ Washington Post

‘[An] astute, remorselessly funny novel’ Daily Mirror

‘A wagyu steak of a novel . . . A classic in the mode of The Corrections’ The Times

©2023 Paul Murray (P)2023 Penguin Audio

Critics Review

  • It can’t be overstated how purely pleasurable The Bee Sting is to read. Murray’s brilliant new novel, about a rural Irish clan, posits the author as Dublin’s answer to Jonathan Franzen . . . A 650-page slab of compulsive high-grade entertainment, The Bee Sting oozes pathos while being very funny to boot . . . Murray’s observational gifts and A-game phrase-making render almost every page – every line, it sometimes seems – abuzz with fresh and funny insights . . . At its core this is a novel concerned with the ties that bind, secrets and lies, love and loss. They’re all here, brought to life with captivating vigour in a first-class performance to cherish

    Observer (Anthony Cummins)
  • The Bee Sting is the finest novel that Murray has yet written and will surely be one of the books of 2023 . . . It bears comparison to the brilliant comic writer Jonathan Coe… But Murray is his own writer, capable of keeping a multi-faceted and compulsive plot moving along with alacrity and confidence, while seamlessly blending drama, comedy and heartbreak… For 13 years, Paul Murray has been best known as the author of Skippy Dies. That, I suspect, is about to change

    Sunday Independent
  • Immersive, brilliantly structured, beautifully written, so dense yet so compelling, [and] as laugh-out-loud funny as it is deeply disturbing . . . The Bee Sting is as ambitious as anything that has gone before, but with a focus and shape that grants it great depth as well as breadth. Seriously, all you need is this, your suntan lotion and a few days off work and you’re good to go . . . I didn’t see the plot twists coming. And they keep on coming, And coming again . . . I began with an ovation. I’ll end abruptly, and in awePaul Murray, the undisputed reigning champion of epic Irish tragicomedy, has done it again

    The Spectator (Ian Samson)
  • The most enjoyable new novel I came across this year. A sprawling, Franzen-esque saga about the Barnes family in Ireland recovering from the 2008 financial crisis, it’s an amazing piece of realist fiction, full-bodied, multi-narrative; a huge swing by Murray

    Observer
  • A triumph. The Bee Sting deserves all the praise I am heaping on it. It is generous, immersive, sharp-witted and devastating; the sort of novel that becomes a friend for life

    Financial Times (John Self)
  • Expertly foreshadowed and so intricately put together, a brilliantly funny, deeply sad portrait of an Irish family in crisis . . . Murray is triumphantly back on home turf – troubled adolescents, regretful adults, secrets signposted and exquisitely revealed, each line soaked in irony ranging from the gentle to the savage . . . We live though hundreds of pages on tenterhooks, and the suspense and revelations keep coming until the end […] He is brilliant on fathers and sons, sibling rivalry, grief, self-sabotage and self-denial, as well as the terrible weakness humans have for magical thinking… A tragicomic triumph, you won’t read a sadder, truer, funnier novel this year

    Guardian (Justine Jordan)

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