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‘I’m in love with this book … It’s superbly written and very very funny and also very true’ David Aaronovitch

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‘On page after page, O'Neill can still dazzle as a compellingly intelligent writer. Everywhere you look, there's a shimmering portrait of modernity waiting to be glimpsed … [An] ambitious, lucidly thought-through novel’ Guardian

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‘Our only truly international writer … Breathtaking … O'Neill's writing reflects the individual's concerns in our desolate modern world in prose that is illuminating, amusing, sometimes beautiful, but never showy … A joy to read … Supremely insightful and intelligent … You can open the book anywhere and find sparkling sentences that perfectly describe what is momentarily in focus … Original and brilliant’ Irish Independent

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‘O’Neill has become a writer extraordinarily attuned to the global and the post-national … Like “Netherland”, THE DOG has captured the zeitgeist … This is where O’Neill feels at home: telling the stories of those who cease to belong’ Telegraph

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‘Sharp, sad and sometimes hilarious, this is a fable for our times’ Daily Mail

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‘A mercilessly absurd portrait of the city’s wealthy residents … Our narrator is like Woody Allen trapped inside a Kafka novel … Brilliant … One of the wittiest critiques of modern, materialistic life that you’ll read for a long while’ The Times

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‘The best comic novel I’ve read for ages’ The Scotsman

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‘Enraged, brutal, witty and at times brilliant’ Sunday Times

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‘Erudite and deliciously comic … like a mix of Martin Amis and Thomas Bernhard …With consummate elegance, THE DOG turns in on itself in imitation of the dreadful circling and futility of consciousness itself … Its wit and brio keeps us more temporarily alive than we usually allow ourselves to be’ New York Times Book Review

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‘A mordantly funny and, surprisingly for these times, deeply moral tale of lost love and economic betrayal’ John Banville, Observer, Books of the Year

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